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Ben Hart: Belief?

Ben Hart opens his hour-long show with a simple but beautiful magic trick that has a playful story attached. He’s confident, charming and has a wry smile that lets you know that he’s never going to be too serious and immediately makes you feel safe in his hands. The thing is, his hands seem capable of miracles.

Of course, I’m not saying what happened; you’ll have to see it for yourself. Believe me, you have to see this show.

Reviewing a magic show is always difficult as describing the tricks can only spoil the sense of wonder and this is particularly difficult with Ben Hart: Belief? as I desperately want to tell you about every trick, every witty aside and how he did things that left me, a man who sees a lot of magic, dumbfounded. But I cannot, so let’s keep this spoiler free.

Hart’s got a natural talent for working an audience and his aforementioned charm incorporates a healthy sense of self-deprecation with an added pinch of the absurd. As he tells us stories that frame the magic, he clearly understands the importance of stillness on stage and constantly exudes an air of mystery.

We get much of what you’d expect from a magician; there’s cards, envelopes, audience participation and even a bit of mind-reading but it’s all done with such confident flair and, often, playing out in unexpected ways.

Hart is fascinated by mystery and, in the standard format of such a show, he quickly sets up what will no doubt be the big reveal at the end of the piece and then does a marvellous thing; he throws out the option that we don’t need to see the reveal. Perhaps we might prefer to go home and enjoy the mystery of never knowing? It’s a bold choice but it fits nicely with the theme of belief. Of course, I’m not saying what happened; you’ll have to see it for yourself. Believe me, you have to see this show.

Reviews by Frodo Allan

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

Location

The Blurb

West End star and Edinburgh Cabaret Award nominee Ben is a unique artist, teller of tall tales, mad inventor and sleight of hand master. His performances are a dark, beautiful, baffling and wickedly funny treasure trove of impossible mysteries, visual alchemy, outrageous lies and brutal honesty. Magic shows just aren't supposed to be this... real. Seen on BBC One/BBC Three. 'Makes sceptics become believers' ***** (BroadwayBaby.com). 'Eye-boggling... his sleight of hand is extraordinary' (Time Out). 'Utterly Enchanting' (Daily Mail). 'Revolutionary. Altogether a new species of conjurer' (WestEndWilma.com). 'Highly impressive hour of technical excellence and irresistible charm' (Wow247.co.uk).
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