Belt Up Theatre's A Little Princess

'Come in girls, sit anywhere you like.' It is an unusual phenomenon for a piece of theatre to inspire breathlessness and awe in an audience member from the very outset, however in the case of 'Belt Up Theatre's A Little Princess' this feeling was to become an instant reality. Before the scripted narrative had even commenced an engaging pre-set involved the audience being ushered into a chintzy living room space by a matronly man in a dress and seated upon sofas, benches and floor cushions. The attention to detail of the set, which can only be described as exquisite with its plush wall hangings, sun-filled windows and cosiness, induced a feeling that we, the audience, were about to bear witness to something very special.

Amusing and heart-wrenching in equal measure Jethro Compton's adaptation of Frances Hodgson Burnett's classic tale is a triumph of literary subtlety and genius even when viewed in isolation. The swift and slick movement between scenes of joyous childish fun- a memorable game of pin the tail on the donkey immediately comes to mind- and startling sadness drive this script into uncharted waters of brilliance the like of which I have rarely before witnessed at the Fringe.

Add to this Serena Manteghi's disarmingly stunning portrayal of Sara Crewe which astounded from start to finish and an audience experience so immersive that even the most emotionally detached of watchers appeared close to tears, and you have the making of a show capable of capturing a heart and shattering it into a thousand tiny pieces. Not that this piece should be considered a sombre affair; girlish amusement and a child-like desire for stories and imagination formed the centrepiece of all which made this show truly wonderful. One such moment of inspiration involved the telling of a fairytale using props pulled from the depths of a chimney, illustrating the ingenuity and style such a production radiates.

Outstanding in every possible instance, regretfully it is impossible to note every moment of inspired brilliance from such a show. One to be experienced first hand and in all its three dimensional glory, 'Belt Up Theatre Company's A Little Princess' is most definitely not one to be missed. A triumph of imagination, romance, loss and inspiration - go see!

Reviews by Christie Rolley

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

The Blurb

Frances Hodgson Burnett's classic novel. Princess to pauper: listen to Sara's tales, join her in play, relish in the magic and the tragic beauty of her story. 'Edinburgh Fringe royalty' (Time Out). www.beltuptheatre.com.

Most Popular See More

The Book of Mormon

From £24.00

More Info

Find Tickets

Frozen the Musical

From £36.00

More Info

Find Tickets

The Mousetrap

From £30.00

More Info

Find Tickets

Wicked

From £25.00

More Info

Find Tickets

The Play That Goes Wrong

From £27.00

More Info

Find Tickets

Back to the Future - The Musical

From £24.00

More Info

Find Tickets