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Be Kind to Yourself

There probably aren’t many free venues that are packed to the seams, having to turn people away and fit others into the corners with Tetris-like ingenuity. But, then again, not every show is as enjoyable and competent as Be Kind To Yourself, a feel-good set of tightly-spun performance poetry and humorous observations worth far more than its blank price tag.

There is no denying the worth and joy to be found in this solo-show

Tim Clare – also in the trio behind Grave Invaders in the same venue – chats cheerfully about his experience of anxiety, the necessity of being easy on yourself, and knowing when to go to bed. He seems constantly on edge onstage, while always at ease with the audience and with his work: it is difficult to see how these two things have been reconciled so naturally.

Beyond his comforting self-deprecation is a robust dexterity in creating fantastical spoken word pieces based on his everyday life. This even includes hip-hop battle therapy sessions, in an inspiring three-minute journey to achieve confidence in his expression. On the other end of the spectrum, a rousing piece on elitist high art versus more authentic jokes on flatulence. All of his pieces, regardless of their different context, employ the same dazzling imagery, toying wordplay, and zest for his work. Clare is a performer of heartening range in tone, topic, and style.

As a schoolteacher, his time in the classroom and presumably unofficial class exercises are often drawn on too. After his descriptions of school classes and the kids’ contributions, you will leave his show wanting to become a schoolteacher or simply wishing you’d been taught by Tim Clare. If every school had a teacher like him energising the class populace, the world would be a much better place.

His work in Grave Invaders has slightly more force to it, but there is no denying the worth and joy to be found in this solo-show. Stop spending and head over.

Reviews by Henry St Leger

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

Location

The Blurb

Stressed out? Self critical? Prone to sobbing in your underwear? Hyper-anxious stand-up poet Tim Clare can help. He returns to the Fringe with a brand new hour of award-winning verse about fear, dolphins and the vomit-splattered road to self-acceptance. ‘Sublime … has the audience hooting in recognition’ (Guardian). ‘One of the most enjoyable hours I have ever spent’ ***** (ThreeWeeks). ‘The most compelling solo performance on the Fringe’ ***** (WhatsOnStage.com). ‘Astonishing, vivid … had me almost crying with laughter’ **** (Scotsman).
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