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Be Captivated

Ballet Central’s showcase promises to enchant and captivate its audience and its cast of talented young dancers certainly deliver.

The cohesive ensemble were brilliantly synchronised throughout; in large company numbers it became almost impossible to tell individuals apart and cast chemistry was consistently strong. This led to a lovely performance that featured beautifully executed lifts and left the audience amazed.

Innovative media and projections were also used in a particularly enjoyable section of the show to provide a variety of interesting perspectives on the same choreographic sequences.

Ballet Central are a fantastic company of actors and in many places are reminiscent of Matthew Bourne. The Cinderella section featured some spellbinding storytelling courtesy of Thomas Broderick and Giulia Pazzaglia, as did Anon, starring the beautifully expressive Bethany Pike as a charming bookworm. Indeed, Anon, with its multiple settings, charming story arc and variations on classical ballet style, was particularly enchanting.

Attempts at jazz were very much hit-and-miss and it was clear that performers were far less comfortable in this style. The choreography was very basic, unoriginal and failed to truly showcase the dancers’ technical skill. It seemed comparatively under-rehearsed and dancers often seemed to forget choreography; the ensemble’s synchronicity also suffered. However, this was a mere blip in an otherwise fantastic show.

Despite a few dips in the show’s high standard, it is one that dance lovers should not miss. Be Captivated is a real success, testament to the talent of its dancers and choreographers alike.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

The Blurb

A spectacular sell-out tour culminated in an exquisite performance which wowed 20,000 at the 02 in the 2012 Olympics. Now B.C make their festival debut. Brilliant, vibrant, versatile dancers will thrill audiences of all ages. Fabulous.
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