On a cold and wet day in Edinburgh, Alistair McGowan declared that he hoped to warm our hearts and by the time the show drew to a close both he and Charlotte Page had successfully uplifted everyones spirits. It was a little nervous at first, with a small sense of whether the show could be based on McGowans fame, his ability quickly revealed however, why he is probably one of the only men who could pull off a successful tribute, of this nature, to the genius of Noel Coward.The show samples a wide variety of Cowards wonderful and witty songs and poetry, from more famous scenes such as an extract from Private Lives, to under-rated gems of wit and poetry. McGowan puts in a more personalised contribution, a poem about the Edinburgh tram system in true Coward style. Charlotte Page demonstrates her well suited voice and whimsical acting ability, while McGowan has impersonated Cowards mannerisms and style masterfully, capturing his notoriously well crafted public image.To put on a show of this nature needs a deep respect, knowledge and affinity with Cowards work, which the duo carry off , putting the audience at ease effectively with the charm that Coward carried. Naturally the production appeals more to the older generations, but this type of show is far from fading away. The age gaps are crossed and each member of the diverse audience are well reached, even if they have no experience with the writer. It was not a joke that looked at the past and what the writing used to be like, but a celebration of what the English language and wit can fully achieve. Having never quite had the time for his other impersonation acts I was very happy to see him put his talent to such use. Impression acts died out with the 90s and McGowan finds his new niche in this show to great effect. Cowards writing is just as enjoyable and entertaining as it ever was he was alive and this duo, with a well chosen pianist, provide an uplifting Cocktail hour.
