Nardone’s Academy of Performing Arts has brought its production of Alice in Wonderland to theSpace’s thrust stage in the Upper Theatre this year. Unfortunately though, much of this performance was directed towards one side of the audience, leaving the rest unable to fully enjoy the show.
There is potential
Many actors seemed to struggle with the choreography, affecting their breathing, and, although the show is aimed at children, the emotions portrayed by most felt somewhat unconvincing. However, the costumes, especially the Cheshire Cat, stood out positively.
While there is potential, I fear this production may need further refinement to meet the standards of other children's shows at the Fringe.