Alba Flamenca

After producing a sell-out show every year since 2009 Alba Flamenca returns to the Fringe once more, bringing a taste of authentic flamenco music and dance to the Scottish capital.

The night I was there, a somewhat shaky start added a bit of tension to the beginning, it soon flowed away as the dancing began in earnest. If you don’t know a lot about flamenco this production is a great place to start. The company provides little tasters of a broad range of styles from the Cuban influenced guajiras, to bulerias and tango, explaining what each piece is before they start, giving a little information on the style’s origins and defining features. The talent of the group is unquestionable; classically trained guitarist Andrew Robinson flies around the fretboard with precision, skill and great artistry and is accompanied beautifully by two vocalists who adopt a husky vocal style of harmonies.

All members of the group contribute to the rhythm section, each clapping an individual, incredibly complex rhythm; but of course it is the dancers who provide the main percussion beats. The choreography is technically very demanding and performed brilliantly, every step ringing crystal clear through the room – even when the dancers’ feet are moving at a rate seemingly impossible for a human being.

One major problem, however, is that unless you manage to get a seat in the first two rows you will experience a very restricted view of this technical brilliance. Once the dancing began some of us in the audience had to stand or crane our necks for a lot of the show. Such a shame as the performance, when I could see it, was great. Another little irritation was the performers whispering to each other through the whole show. It gave the impression that there was some inside joke that the audience wasn’t allowed in on.

This is a strong show. For those who know little about flamenco it provides a great introduction, and for those who are more familiar with it an opportunity to enjoy an accomplished performance. Just make sure you get there early to get a good seat or be prepared to do a lot of moving around and standing up.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

The Blurb

Thirty-two sell-out dates three years running, this celebrated flamenco ensemble returns to delight us all! ‘Breathtakingly creative and technically excellent … stunning the audience into open-mouthed wonder’ (FringeReview.co.uk). ‘To be honest, this is astounding! Impeccable musicianship and dancing…’ (ThreeWeeks).

Most Popular See More

Back to the Future - The Musical

From £24.00

More Info

Find Tickets

The Book of Mormon

From £24.00

More Info

Find Tickets

The Play That Goes Wrong

From £27.00

More Info

Find Tickets

Wicked

From £25.00

More Info

Find Tickets

Matilda the Musical

From £24.00

More Info

Find Tickets

Mamma Mia!

From £15.00

More Info

Find Tickets