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Afterparty

A group of teenage friends celebrate after their final exams and look towards the future. But are they taking the celebrations too far, and dreaming too big? Afterparty is about what you want out of life, how likely you are to get it, and how far you’d go to make it happen. A pop-pumped night out quickly turns into a reckoning for the five characters and their loyalties to each other.

A pop-pumped night out quickly turns into a reckoning

A direct-address introduction, a bus ride, and a wild clubnight makes for a dynamic opening. Hannah McEachern’s capable direction rises to the challenge of this changing setting, so it’s a shame to see the rest of the play stuck in one place. From that point on, the cast shuffle uncertainly about the stage in a way which fails to make it nearly as visually interesting as its strong start.

Despite this, and at the same time as making a serious point about inequalities, Rachel O’Regan’s script also creates numerous opportunities for fun. The characters have a laugh at each other’s expense, and this proves a successful way to get the audience chuckling with them and invested in their relationships. These relationships are the crux of the play, with an effective twist shedding new light on each of them, and what they mean to each other. All five actors are strong, and absolutely nail the appearance of close and complex bonds. You really believe in them as individuals, and as a group of friends.

F-Bomb Theatre’s mission statement is to provide a platform for ‘bold new theatre that speaks to the complex experiences of what it means to be a woman’. Afterparty doesn’t quite fit that description. Certainly all the characters are female, but their experiences are much more defined by other aspects of their situation than their gender. It is a play about the opportunities afforded to you by your economic and educational background. While it doesn’t deliver as the relatable representation of girlhood it might seem to be on the tin, it does deal with the subjects it addresses with nuance and care. If you want a play to think about and characters to feel for, Afterparty is the one to watch.

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Reviews by Monica Yell

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★★★★
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Since you’re here…

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You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
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Performances

Location

The Blurb

'It’s not a crime to have fun.' A group of friends celebrates the end of school – and the start of their lives – with a wild night out. What could possibly go wrong? Award-winning playwright Rachel O’Regan asks what makes a bright future in this riotous new comedy. 'The world’s not made for us. But we can make our own.' Directed by Hannah McEachern, Afterparty is the confetti-covered debut production from women’s theatre company F-Bomb. The only question is: are you ready to party?
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