Adrienne Truscott's Asking for It: A One-Lady Rape About Comedy Starring Her Pussy and Little Else!

I was so ready to tear this show down. I had essentially already written the review, I was only really going to the show for validation. I mean, a comedy show about rape? Involving nudity? You may as well write ‘trainwreck, come here to watch’, right? Wrong. So wrong.

No doubt Adrienne Truscott cuts a controversial figure, sashaying on stage, half naked, unashamed, swigging from a can of G&T. Her vagina certainly features prominently in her set, and is used for a variety of purposes, the most publishable of which is as a goatee/beard for a variety of faces that are projected onto Truscott’s stomach. It would very easy to see this show as crass, mindless, needless, and just plain stupid. However, to do so, I feel, would be to ignore the purpose of the show.

Truscott, remaining fiercely in character as a girl who is ‘asking for it’ (hence the nudity), tries to tackle the almost impossible subject of rape in comedy. She examines the attempts of other comedians to incorporate it, and also uses the show to make light of and deride the worrying attitudes towards rape by many in her homeland of America. While avoiding the idea of rape itself being funny (something she attacks with characteristic vitriol), she uses ideas in modern culture about rape - its prevention, its causes - to create a comedy set and indeed a show that works.

This is when many aspects of the show start to click. The nudity, while challenging, is there ostensibly for the purpose of making the character the epitome of ‘asking for it’. As Adrienne says at the end of the show, ‘it looks like there are no rapists in the audience!’. Her point is that no one, not even someone as ridiculous as this character, is asking for it. Nudity can be things other than sexual: it can be funny. (If you don’t agree, wait until you’ve seen Justin Bieber with pubes for a beard.)

You might think that Truscott uses the fact that she is a woman as an excuse to talk about rape and, certainly, she explores this idea, even stating that ‘in comedy, rape is the new black’, but that is not what she is doing at all. This show is right on the bullseye, and that bullseye is cutting to the quick of a misogynistic society. Truscott has achieved the impossible, and, in a crazy, crazy way that shouldn’t work, has made a brilliant show. Painfully ironic, visually and conceptually challenging, eye-wateringly biting, and, most important of all, very funny, all this show requires is an open mind and a sharp instinct for parody and sarcasm. This show is by no means for everyone but if you reckon you can handle it, you should definitely go.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

The Blurb

A lady and a pussy undress the rules and rhetoric about rape. Awkward comedy laughs in between. One-half of infamous Wau Wau Sisters. www.pay-what-you-want.info

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