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A Murder Of Crows

It’s difficult to gauge how the audience is supposed to react to this tale of a bungled heist presented by Crumpet Theatre Company. I think it was a comedy, but I attended on one of those Edinburgh occasions when the cast almost outnumbered the audience. The masking of the skylights had fallen down in the previous show ruining the first scene which I assume were supposed to take place in blackout. Both cast and audience were nervous, and as a consequence laughs were thin on the ground – well, positively anorexic, actually.

Charlie (James Manning) and Frankie (Luke Murray) screw up a robbery, and for reasons too complicated to go into here Frankie ends up dead (this must be one of the shortest appearances on the fringe by any actor, ever.) Thence the plot spins off into a tale of retribution, attempted murder, bombs and guns, as Lillian (Katie Pickering) and Amy (Rosina Cochrane) get involved in a bid to retrieve diamonds from inside a mutilated corpse and not upset the eponymous Crow gang.

The young amateur cast attack this nonsense with gusto, but some of these lines are unplayable or sayable (“the only crack around here is the one in my arse”). Director Daniel Cope hasn’t made the best of what is admittedly a difficult space, and some strange decisions have been made in rehearsals. Why, for example, is there no wine in the wine glasses, but plenty of stage blood in the corpse (maybe the same substance could be used for both)? Why does everybody keep wandering aimlessly around when they’re speaking? Why do the scene changes take so long when there’s so little scene to change?

These guys are only here for a week, and I’d love to be able to tell you to go and support them. There may be a few more laughs with a larger audience, and if the actors would get over their nerves and actually look at each other from time to time, who knows. But the truth is, when one of the characters shouted “How did I get myself into this mess, everything was fine this morning!” I nodded heartily and put my notebook down in case the other four members of the audience thought I was the director.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

The Blurb

The Zoo, 4-12 Aug. 19.30 (1 hour)
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