A celebration of the enduring friendship between the brilliant and tragic composer and war poet, Ivor Gurney, and Marion Scott, writer and trailblazer of women musicians, written a…
What do you do when Ms Alzheimer’s – a hideous and befanged monster – comes to live with you? Local author and journalist, Susan Elkin, talks about her new book, …
What if your favourite characters didn’t quite like the way they were written? What if they decided enough was enough? When an unnamed author is found dead, his characters are br…
Ivor B Gurney and Marion M Scott had a very special friendship.
A celebration of the friendship between the First World War poet and composer, Ivor Gurney, and violinist, musicologist and champion of women musicians, Marion Scott.
Romancero Books with the support of the Office for Cultural and Scientific Affairs of the Spanish Embassy in London presents the Festival of Queer Spanish Literature in London…
‘The reigning queen of character comedy’ (Evening Standard), Alison Thea-Skot, returns to the Fringe for two nights with her five-star smash-hit show.
Following her five-star smash-hit It’s Thea-Skot in Here (So Take Off All Your Clothes), Alison Thea-Skot brings you a sizzling explosion of chaotic character comedy.
Celebrating the friendship between composer and war poet, Ivor Gurney, and musician and first woman music critic, Marion Scott; written and performed by Jan Carey.
Brighton’s Storyland Press is a place where the story comes first, regardless of genre or where it sits on the commercial/literary spectrum.
Following last year’s five-star smash-hit Some Like It Thea-Skot, ‘comic monster’ (Chortle.
After a sell out, 5 star run at Edinburgh Fringe and Soho Theatre, Alison Thea-Skot brings her surreal, joyous and unhinged character comedy show to Brighton.
‘Comic monster’ (Chortle.
‘Comic monster’ (Chortle.
Takibox’s Beyond the Body is an intriguing exploration of physicality, a performance that promises to look towards an extension, a transcending of state.
Jo Fong’s An Invitation is about as elusive and complex as a performance at the Fringe is likely to get.
‘But how does this game work?’ asks one of the two women on stage before us.
The simple pleasure of play is at the heart of Brooke Laing’s enchanting storytelling.
If you’ve been flyered by Theatre Santuoui, you may have been bewitched by the intricate game that unfolds before your eyes in their ingenious paper creation.
Jess Green is a champion of misfits; she animates the videogame playing teenagers looking for a shot in with the cool tattooed kids, the frustrated but eager readers banned from th…
If this production is anything to go by (The Reel) Macbeth is by no means a tragedy; instead it’s a demonic kilt-adorned joke.
It would be no exaggeration to declare Thomas Monckton nothing short of a genius.
The Mars One Foundation plans to establish a human settlement on Mars by 2024.
Taking a bite into Chekhov is no mean feat at the best of times.
Arcos describe themselves as a ‘multimedia dance company’ and they certainly deliver.
Any show that advertises itself with the warning of ‘contains puppet violence’ inevitably creates intrigue but the puppetry is by far the most exciting part of this innovative …
‘Pss’ is one of those sounds that extends beyond itself.
“I’m not going to speak” writes Hannah Moss on a whiteboard, silently, before wiping it clean, “It’s easier”.
Deadpan theatre’s Edinburgh debut touches upon many areas of life, from the most mundane to the deeply moving.
Under Peter Darney’s direction, Sasha Ellen’s Signal Failure is a romantic comedy that wanders happily between the serious and the downright silly.
Heading to a bookshop in the middle of the fringe festival might seem an obvious choice to get a little peace and quiet.
We’re standing in the atrium of C Nova as a balloon wanders down from above with a note.
Circa begins with a simple contortion of a human body: a girl stands and slowly bends herself to her extreme limits and then a little further.
Forget Ancient Greece: this Agamemnon marches straight into a real life bunker, transposing Aechylus’s personal and political drama deftly into the world of the First World War.
The concept of Cirque Tsuki’s final instalment of its trilogy is strong.
‘Ming’ roughly translated means brilliant or bright, a translation that seems fitting for this enlightening exhibition.
‘Nature is painting for us, day after day, pictures of infinite beauty’ declared John Ruskin ‘if only we have eyes to see it’.
In a new adaptation of Luigi Pirandello’s disturbing masterpiece, Cambridge ADC chop, change and miss the point entirely.
Thea Skot is an outright clever and funny young lady.
An author, two actors and an audience member discuss Tim Crouchs last play, an unnamed and violence-filled two-person production whose effects on the actors and writer are slowly…
Tiffany Mason, self-titled greatest vocal tutor the world is ever going to meet, is here to teach you to sing.