A celebration of the enduring friendship between the brilliant and tragic composer and war poet, Ivor Gurney, and Marion Scott, writer and trailblazer of women musicians, written a…
Northern Ireland’s comedy behemoth unleashes his hilarious new hour, fresh from his sell-out Belfast Waterfront Hall shows and his Australian tour.
Big Fish is Stephanie Bradshaw’s debut stand-up show, inspired by her life as an attention-seeking (anxious, delicate, shy) mega diva, based in the small rural town of Keswick, Cum…
A comedy dance show about balance.
Heartfelt, feel-good, this is a highly enjoyable performance.
The delightful wit with its dark undertow of Murial Spark’s The Girls of Slender Means is caught brilliantly in this adaptation by Gabriel Quigley, directed by Roxana Silbert.
A brilliant gem, witty, gallus (cheeky) James V: KATHERINE by Rona Munro (a Raw Material and Capital Theatres Production) pulls no punches.
For charisma, no other male dancer can beat Carlos Acosta, one of the greatest classical dancers of our times, still spell-binding at fifty.
Is Cinders a male or a female? Audiences won’t know until the curtain rises on a particular night.
Stephanie has established herself as one of the most relevant and versatile voices in contemporary musical theatre and has starred in many major musicals on Broadway including Into…
Rape, homophobic bullying, knife crime and murder in a mental health/correctional institute, Mathew Bourne’s Romeo+Juliet is probably the most shocking and bold of his re-imaginin…
Nashville-based international singer-songwriter Stephanie Staples has shared her passionate and contemplative music for over two decades, performing all over the world.
Northern Ireland’s comedy superstar brings the noise (and the LOLs) with his all-new show.
Ciarán Bartlett is Belfast’s premier musical comedian, known for rapid fire caustic punchlines, filthy songs and mad stories.
Pioneers: Ballet Black is an inspired pairing of dance pieces, both in terms of subject matter and in their exploratory choreography.
Usually The Nutcracker means it is the Christmas season but here we are in March.
Giselle, the Gothic-Romantic iconic classical ballet of love, betrayal and forgiveness is one of the few ballets to have come down to us from the 19th century.
Ballet Rambert’s Peaky Blinders: the Redemption of Thomas Shelby is male swagger, jaw-dropping, edge of your seat dance as pyrotechnics with all the cool of the TV gangster drama…
Lucy and James have avoided the battle to talk about what has happened to them.
What do you do when Ms Alzheimer’s – a hideous and befanged monster – comes to live with you? Local author and journalist, Susan Elkin, talks about her new book, …
Magic, glitter, snowflake fairies, Jack Frosts, snow wolves and innocent love winning out, what more could you want? Circus acts, Romani travellers? A revival of its 2019 productio…
One of the excitements for an audience is to spot future stars.
Navy Blue, the colour of workers’ overalls is an existential cry of protest, a dance/voice-over/visual performance choreographed by Oona Doherty and cast to Rachmaninov’s Piano…
Breathtaking projections of animation by YeastCulture steal this show and a set which is largely conveyed by lighting.
What if your favourite characters didn’t quite like the way they were written? What if they decided enough was enough? When an unnamed author is found dead, his characters are br…
An electrifying production, Scottish Ballet’s Coppélia, reimagined with robots and a new story that only nods to the original, is not just for sci-fi fans but addresses the seri…
Interminable, intellectually pretentious and self-indulgent, former circus performer James Thiérrée’s Room produced by his own Swiss Compagnie du Hanneton, is presented as phys…
See You is must see.
Cool with underlying passion and deceptively simple choreography by New Yorker/San Franciscan Stephen Pelton, End Without Days gets under your skin.
Virtuostic, one dark, the other light bursting with irrepressible humour, this contrasting double bill Us choreographed by Zoë Ashe-Browne and Stroke Through the Tail by Marguerit…
Ice Age is a life-affirming show celebrating and bringing much-needed visibility to what disabled people can achieve as performers on stage despite being confined to a wheelchair.
Alan Cumming is a tour de force as ever.
Riotous, hilarious, alternately bonkers and clever The Strange Undoing of Prudencia Hart written by David Greig and co-created with Wils Wilson, has it all: folk music, especially …
A magical, charming show of dance and acrobatics which will delight children and adults alike.
Tomatoes erotic? Yes, erotic, silly, surreal, constantly surprising, Tomato, a physical theatre piece by dancer/choreographer Chou Kuan-Jou is brilliant.
Powerful psychodrama elevates Scottish Ballet’s The Scandal at Mayerling from what might have been mere melodrama, a skull and pistol its signature symbols, into an outstandingly…
Ivor B Gurney and Marion M Scott had a very special friendship.
A celebration of the friendship between the First World War poet and composer, Ivor Gurney, and violinist, musicologist and champion of women musicians, Marion Scott.
Cock by Mike Bartlett directed by Richard Lindfield Boy meets girl but boy is already living with boy.
Cock by Mike Bartlett directed by Richard Lindfield Boy meets girl but boy is already living with boy.
The convulsive pain of grief, a languorous classical quartet and an exuberant party piece undercut with darkness; these three pieces superbly contrast each other in mood and style,…
Manic parties and manic dance, glorious swirls of colour, Chanel-inspired floating dresses and jazz from the Roaring Twenties, contrasted with the green light throbbing in the dist…
Disconcerting, both humourous and visceral, Kontakthof performed by Tanztheater Wuppertal continues to shock.
A love triangle, passion, jealousy, the colour of red roses and bull-fighter capes: just what you would expect in this stunning contemporary dance version of Bizet’s Carmen, re-i…
A heart-warming show of joy and magic at Christmas time, Catherine Wheels’ Christmas Dinner, written by Robert Alan Evans and directed by Gill Robertson, is particularly welcome …
Snow falling, Christmas baubles, glitz and magic - Scottish Ballet’s The Nutcracker to Tchaikovsky performed by the company’s live orchestra is like a box of chocolate treats.
Glitz and glamour, fun and frolics, Scottish Ballet’s Starstruck is a delight, just what we need after 18 months of closed theatres.
Romancero Books with the support of the Office for Cultural and Scientific Affairs of the Spanish Embassy in London presents the Festival of Queer Spanish Literature in London…
Mercurial, subtle and rousing Starting from First Position is a blend of dance and poetry performed by Nigerian born poet Ben Okri (also 1991 Booker prize winner for his novel, The…
A charming, funny and touching interactive video installation, Family Portrait by Natasha Gilmore’s Barrowland Ballet features Natasha herself as mother and single parent and her…
We need heroes in these strange times is the thesis of this show, and Les Petites Choses’ Fighters brings us five.
Music-theatre with solo cello plus dance, Iconnotations is extraordinary: surreal, wry, expressionistic, at times baffling, profoundly sad but at the end joyous.
Ai~sa~sa meaning ‘Get over yourself’ is brilliant.
How do we interpret the world through our senses, particularly through sight? A mesmerically beautiful triptych of two solos and one duet, choreographed by Finnish Johanna Nuutinen…
A man falls from the side of the screen onto the floor.
Tai Gu Tales was created by Hsiu Wei Lin, formerly a principal dancer with the iconic Taiwanese Cloud Gate company.
Amina Khayyam’s Catch the Bird Who Won’t Fly, a Kathak dance piece using animation and green screen is beautiful, subtle and moving despite its grim subject matter: domestic vi…
Challenging, daring, with longeurs but also explosive moments, this makes for uncomfortable viewing but is a much-needed and to be applauded show.
If Carl Knif’s Fugue in Two Voices is a joke, then it’s a dud.
Where is the glitter and magic, our annual Christmas treat, without the Sugar Plum Fairy or the Snow Queen? With theatre doors closed during these sad times, Scottish Ballet have c…
Experimental, inventive and hugely daring, Antigone, Interrupted is Sophocles re-imagined, the first production by Joan Clevillé since becoming Artistic Director of Sc…
A wintry tale of fire and ice where selfless love wins, The Snow Queen, choreographed by Christopher Hampson, is a dangerous journey encountering bandits and snow creatures.
Full of good cheer, fun and jokes, carols under falling snow, spooky ghosts and glitter, what better way to get into the Christmas spirit than go to An Edinburgh Christmas Carol, D…
Both humourous and sad, Juliet and Romeo by Lost Dog company, presented by The Place, written with sensitive forensic analysis and directed by Ben Duke, is a subversion of Shakespe…
A brilliant Scandi noir of the psyche, spoken in gibberish in a surreal world, Norwegian Jo Strømgren Kompani’s The Hospital, is gripping; moving from bizarre, black humour to d…
Billed as part Brazilian street dance and part Scottish ceilidhe with everyone invited to share the dance floor and a whisky, this suggested a rather more joyful, carnivalesque exp…
If you have ever wondered how contemporary dance choreography is created (as opposed to classical ballet) this fascinating show, CoisCéim Dance Theatre’s Body Language directed …
How do we face dying if we know we have a terminal illness? And also how do we live in the face of death, imminent or not? Losing several friends in the same year, Kally Lloyd-Jo…
A delight, witty but profound exploration of the power relationship between choreographer and dancers, From the Top, choreographed by Hong Kong-based Victor Fung, is a send-up of a…
Monster choreographed and performed by Yen-Cheng Liu of Dua Shin Te Production is a show about the monster within us but the trouble with alienation is that it alienates the audien…
Floating Flowers by B.
Another is a quadruple selection of dance pieces by the fledgling company Ballet-works founded by a former soloist of Stuttgart Ballet, Robert Robertson and comprises both contempo…
If this was billed as Music and took place in a concert hall, the MP4 Quartet’s perfomance of three pieces by Steve Reich, Pendulum Music, Different Trains and WC 9/11 would earn…
Christine Devaney’s And the Birds Did Sing is a gentle, moving meditation on the loss of her father, expressed through story-telling and some expressive physical movement to an e…
Breath-taking, Blizzard produced by Flip Fabrique from Quebec, is so much more than a circus show.
Writer for BBC.
What a delight to hear the giggles and laughter, sometimes hysterical, of children, aged four and up in the audience throughout Heroes, a circus, acrobatics and aerial dance show a…
Ireland’s star of BBC’s Blame Game, Monumental, the General Banter Podcast and fluffer for Netflix show Flinch.
A landmark for female empowerment, She Persisted is a trilogy by three female choreographers celebrating female icons.
Stylish, elegant and magical, Scottish Ballet's Cinderella, choreographed by Christopher Hampson, at times takes one's breath away.
Rumbustious, fast, furious and funny, yet full of magic and fairy dust, Wendy and Peter Pan will delight all ages: an awfully big adventure and the perfect Christmas show.
Blinding with science comes to mind in Autobiography, choreographed by Wayne McGregor.
Love Chapter 2 by L-E-V, choreographed by Sharon Eyal and Gai Behar, is a twin-piece to OCD Love, both part of the Edinburgh International Festival.
Hocus Pocus, by the Philippe Saire company, didn't live up to its initial promise.
A profoundly disturbing show, OCD Love (part one of Love Cycle) is produced by Israeli L-E-V dance company with original and technically difficult choreography by Sharon Eyal in c…
Tibetan Monks Sacred Dance is a special experience, not quite a religious rite and not quite a performance show as five Tibetan monks from the Tashi Lunpo Monastery in South India …
This exquisite, delightful show by Chang Dance Theatre riffs on the childhood memories of four boys growing up together and, surprisingly, mangoes.
Jungle by the Bernese company Pink Mama under the direction of Slawek Bendraf and Dominik Krawiecki, purports to be about post-colonialism and in particular who survives but how do…
This version of Giselle, re-imagined by Ballet Ireland in modern dress is bound to cause controversy between traditionalists and modernists.
It’s Not Over Yet… choreographed and performed by Emma Jayne Park (aka Cultured Mongrel) is a heart-stopping autobiographical show about cancer.
A dazzling white floor space sets off Nigerian/Finnish Ima Iduozee’s black skin and his grey and black outfit perfectly in This Is The Title, a production in association with Fro…
Varhung- Heart to Heart will touch your heart.
Fresh from a sell-out run in Australia, Stephanie brings you a fresh hour of comedy about being a massive quitter.
WRoNGHEADED is a collaborative dance, poetry and film piece produced by Liz Roche Company about the devastating effects of a repressive society in Ireland, particularly on women.
The Spinners is a collaboration between Lina Limosani of Limosani Projekts as choreographer and Al Seed as director.
Every now and then a sparkling gem comes bubbling to the surface of the Fringe.
Celebrating the friendship between composer and war poet, Ivor Gurney, and musician and first woman music critic, Marion Scott; written and performed by Jan Carey.
Micky never got into trouble at school until one fateful day in 2002, and then he f*cking nailed it.
Once Upon a Daydream, produced by Sun Son Theatre, bursts with life and colour.
Making her Australian debut: Stephanie’s love life has been a rollercoaster, if rollercoasters involve a lot of awkward sex, self-sabotage and therapy.
To Be Me pairs a recording of Kate Tempest’s poetry and live dance choreographed by Julie Cunningham; it’s a risky undertaking which is both fascinating but, at times, teeters …
It is brave to reimagine Shakespeare, in particular arguably his greatest tragedy but Lear by John Scott Dance is a deeply moving, subtle and superbly performed interpretation of …
Keira Martin’s Here Comes Trouble contains some impressively executed Irish dancing to music which is a meld of Irish melodies and Jamaican beats in a memorable piece about ident…
Profundis choreographed by Israeli-born Roy Assaf, is amusingly and slickly performed by the National Dance Company Wales but is more of a ‘five-finger exercise’ for dance stud…
Folk is Caroline Finn’s first piece for the Cardiff-based National Dance Company Wales since becoming its Artistic Director two years ago.
Thisis a solo show where the Korean dancer and choreographer Lee Kyung-eun, inspired by the shamanic gut or rite to expel ‘goblins’ or evil spirits, aims to turn this around an…
A double-bill of extraordinary power and originality, Hope Hunt & The Ascension into Lazarus performed by Belfast-based Oona Doherty, gets beneath the hard exterior of disaffected …
This is a curate’s egg of a show.
Majuli is a gentle piece, beguiling in its simplicity in which the dancer and choreographer, Shilpikda Bordoloi evokes the world’s largest river island, Majuli in Assam’s…
A one-woman dramatic monologue performed with great storytelling skills, Green Knight is an enthralling show.
An exquisite piece, Together Alone, danced nude by Zoltán Vakulya and Chen-Wei Lee of Art B&B, is a profound meditation on relationships through a sensitive exploration of the bod…
Three male dancers perform Company Chordelia & Solar Bear’s Lady Macbeth: Unsex Me Here choreographed by Kally Lloyd-Jones and cast.
Founded by Avalon Rathgeb, Fall Out is tap-dancing like you’ve never seen before.
Leviathan, inspired by Melville’s Moby Dick is choreographed by James Wilton to a pounding score by Lunatic Soul.
In Korea when somebody dies, people say they have gone ‘over the moon’ or ‘crossed the river’.
If you want a bit of light relief from Fringe shows taking themselves too seriously, come to this hilarious, technically mind-blowing piece which calls itself physical theatre but …
This show is a delight.
038 is the telephone code for Hualien, a small city on the east coast of Taiwan and it is the first few numbers the many emigrants to the bigger cities must dial to phone home.
Fellacio, faecal ‘docking’ and physical abuse.
Kokdu: Soul Mate is physical theatre with charm, humour and a supernatural frisson inspired by Korean shamanistic rites and belief in the Kokdu, a spirit guide who accompanies the …
Derevo are a legend.
A psychic journey, through physical theatre and music, Sun Son Theatre’s Heart of Darkness explores the damage inflicted on a woman by arranged marriage.
The Backyard Story, directed by Chen-Chieh Sun with lively music composed by Chien-Hsun Chen, is a charming black-light theatre show for children aged 5+.
Belfast comic Micky Bartlett is here to deliver a message.
Brighton’s Storyland Press is a place where the story comes first, regardless of genre or where it sits on the commercial/literary spectrum.
Micky Bartlett: Blissfully Ignorant is fast-paced and ill-mannered comedy which successfully integrates an abundance of crudity into an intelligent set.
Stephanie Laing is Chesney Hawkes’ number one fan.
Bartlett talks about his experience immersed in the internet’s most shocking and unexplored subcultures, from buying cannabis on the Amazon of drugs to hanging with Bitcoin anarchi…
It has come to Stephanie’s attention that she is a very silly young woman.
Micky Bartlett is back at the Edinburgh Festival with his new show Narcissilly.
Micky Bartlett is back at the Edinburgh Festival with his new show Narcissilly.
Micky Bartlett is back at the Edinburgh Festival with his new show Narcissilly.
Paul Merton and his “Impro Chums”: Mike McShane, Lee Simpson, Richard Vranch and Suki Webster, have been practising short form improvised comedy for decades and bring their com…
Ben and Tom are the Thinking Drinkers, a pair of sharply tuxedoed bartenders intending to lead their audience’s through their search for history’s best drinkers.
Sam Nicoresti and Tom Burgess used to be on Nickelodeon until “the incident we can’t talk about”, happened.
Jim Higo and Miki Higgins are, in one word, brave.
You may not realise this, but we are in the future.
Al Murray, one of UK comedy’s longest-standing character acts, is classed amongst the biggest names at the inaugural Great Yorkshire Fringe.
Just off a powerhouse run as the bearded Baba the Turk in “The Rake’s Progress” at the Metropolitan Opera, this magisterial mezzo-soprano and the pianist Warren J…
BBC Young Musician of the Year 2014 pianist Martin James Bartlett plays Mozart Concerto No.
What kind of society are we now living in? The Apprentice may be the ‘job interview from hell’ but the polite sadism of the nameless female functionary in ‘Contractions’ gives us t…
Lovable little weirdo Stephanie Laing realises that she is a very silly young woman.
Ireland’s brightest new comedy star from BBC’s Monumental makes his solo Fringe debut.
The first night of Stephanie Laing’s Nincompoop showed potential and given time this comedy show could be seriously funny.
Lapin Wants Breakfast is the bilingual story of a hungry rabbit desperate for his petit-dejeuner.
In a new adaptation of Luigi Pirandello’s disturbing masterpiece, Cambridge ADC chop, change and miss the point entirely.
Richard Shelton may be known for his role as murderous Dr.
The Norfolk Youth Music Theatre present The Card, a musical charting the rise of cheeky northerner Denry Machin from washerwoman’s son to Mayor of his town.
Isobel Cohen’s latest production, Within Range, is set in November 1989 at the fall of the Berlin Wall.
When DeAnne Smith entered the stage dressed in an adorable ensemble, picks up her ukulele and started singing a tune that sounded like it had been lifted from the soundtrack of 500…
Conor O’Toole, with a tremendous amount of forethought, has already made plans for his funeral, from the service to the sandwiches.
Comfort in Chaos is unsure of itself, just as Cooke seems to be unsure of himself.
Four students fresh out of sixth-form take inspiration from Philip Larkin’s famous poem ‘ This Be the Verse’ (They f**k you up, your mum and dad/ They may not mean to, but t…
John Hastings’ Edinburgh preview is nowhere near as unrelenting as the title suggests at first glance.
The premise of Battle of Britain is very simple and one that has been done to death: which is the better half of Britain, the North or the South? For the purpose of this exercise w…
This pair of independent comedians is sure to evoke a titter from even the stoniest of critics.
Tall, skinny and full of nervous energy, West Londoner Nathan Caton is here to entertain us with an hour of laughs.
Set over the duration of one Christmas Eve, Festive Season is an abstract exploration of familial responsibility and the loss of loved ones.
The Vocal Associates bring distinguished composer Tony Makarome’s musical adaptation of Aesop’s fables to this year’s Fringe.
Evelyn Evelyn are two musically talented yet utterly quirky conjoined twins hailing from Walla Walla, Washington.
Comedian Neil Dagley is Flange Krammer; German Olympic skiing sensation and interminable ladies’ man.
Wet Paint is made up of two magicians, Ben Hart and Neil Kelso, with ‘ideas so fresh they’re still wet’.
In this show, Hannah Gadsby takes us through an art history lecture covering the developing representation of the Virgin Mary in Eastern and Western art since the 3rd Century AD.
Northern Theatre Company take the classic musical Sweet Charity and transpose it into the gay scene of modern day New York with an almost entirely male cast.
Swimming With My Mother features a real mother and son, Madge and David Bolger, exploring their relationship and mutual love for swimming and dancing through a 40-minute show accom…
Comic and self-confessed ‘try-too-hard’ Gráinne Maguire visits Edinburgh this year with her latest show Where Are All the Fun Places and Are Lots of People There Having Better…
An author, two actors and an audience member discuss Tim Crouchs last play, an unnamed and violence-filled two-person production whose effects on the actors and writer are slowly…
Henry Adam’s Petrol Jesus Nightmare is set in a military hideout against the backdrop of the Israeli-Palestinian conflict.
The title of this particular show may lead you to expect certain things that the final product fails to deliver in every way.
As always, there are a multitude of comedy sketch shows at this year’s Fringe.
A mother, lover and cuckolded spouse describe their relationships with an unnamed victim that links them together through rounds of rhyming soliloquy.
This is the European debut of Anthony J.
Nick Sun’s latest show, Potty Time!, is truly bizarre.
Written by (and starring) Jenn Robbins, The Smoking Boy is the story of an upper middle class family from New Haven, Connecticut, in 1917 amidst America’s entry into the Great Wa…
The I Hate Children Children’s Show is back for another Fringe and this year, they’re meaner than ever.
It is surprising to see Hanks and Conran screw up the duo dynamic entirely.
C Theatre perform Hans Christian Andersen’s much-loved children’s story about the tough life of a little misfit cygnet trying to fit in in a world which only judges him on his oute…
Knot Theory presents a new piece of writing about the decline of a suburban family in a piece of new writing by Niki Orfanou.
Peter Tate writes, directs and stars in this cacophony of self-indulgence.
In this show comedian Stephen Carlin claims he can split the entirety of the human race into two separate camps: pandas and penguins.
The premise of If Walls Could Talk is deceptively simple.
Like a Glaswegian Louie Spence, Edward Reid bounds through an hour of anecdotes and musical numbers with enough campness and glitter to make you think you’ve accidentally stumble…
A man is preparing for his wedding day and thanks the audience for responding to his ad looking for wedding guests.
Josie Long’s latest solo show at this year’s Fringe is optimistically titled Romance and Adventure.
If comedy often rises out of adversity, could this help explain how Northern Ireland has proved such fertile ground over the years — from Frank Carson and Roy Walker to Patrick K…
The premise of Juliet Meyers’ show is quirky and original and provides a solid anchor to her routine.
Luscious colours, hypnotic dance, the exotic (to westerners) Chinese/Tibetan interpretation of Stravinsky’s Rite of Spring should make Yang Liping’s Peacock Contemporary Dance …
Stunning, visceral and heart-breaking, pitting light against dark, superstition and hysteria against the steady flame of truth and love, Scottish Ballet’s The Crucible choreograp…
Kalakuta Republik will stay with you, for good or bad.
White hot, stripped down to its essentials, this searing version of Sophocles’ Oedipus, adapted and directed by Robert Icke may well be the defining drama for our times, where f…
Kiinalik, in the Inuktitut language, means when a knife is sharp.
Who owns the land? What if the land you think is yours already ‘belongs’ to someone else? The tragedy that is Australian history, the encounter between the ‘savages’ and th…
Hard to be Soft: A Belfast Prayer choreographed and directed by Oona Doherty is at times an explosive, visceral and overwhelming experience.
Jackie Kay’s memoir Red Dust Road, adapted for the stage by Tanika Gupta, is a huge disappointment.
"Hear Word!" is how Nigerians start a story, a sort of town crier’s call and Hear Word! Naija Woman Talk True co-written and directed by Ifeoma Fafunwa is definitely at…
Stephanie Dale is a playwright with work produced by BBC Radio 4 and Birmingham REP among others.