A celebration of the enduring friendship between the brilliant and tragic composer and war poet, Ivor Gurney, and Marion Scott, writer and trailblazer of women musicians, written a…
Mortal SinChallenging authority in 1960s rural Ireland.
Weighty poetical subject matter explored in depth by complete idiot/absolutely the perfect person for the job/Suki Tawdry.
The candid and comical tale of a mad tranny from Burnley in the north of England; how a little boy who secretly wore their sister’s dresses, moved to Berlin, became a Drag King, gr…
What do you do when Ms Alzheimer’s – a hideous and befanged monster – comes to live with you? Local author and journalist, Susan Elkin, talks about her new book, …
What if your favourite characters didn’t quite like the way they were written? What if they decided enough was enough? When an unnamed author is found dead, his characters are br…
She’s back, the 6’5” towering Scottish drag legend Nancy Clench, returns to the Edinburgh Fringe.
Ivor B Gurney and Marion M Scott had a very special friendship.
A celebration of the friendship between the First World War poet and composer, Ivor Gurney, and violinist, musicologist and champion of women musicians, Marion Scott.
Romancero Books with the support of the Office for Cultural and Scientific Affairs of the Spanish Embassy in London presents the Festival of Queer Spanish Literature in London…
‘What an egregious folly it is for a man of my years to attach himself too strongly to one of yours – I know the tear will be in your eye when you read this, as it is in mine whe…
If you have a problem, Nancy will solve it.
Nancy Crook will be returning to the Fringe with her annual afternoon organ recital of music by Bach, de Grigny and Jackson at Stockbridge Church.
Experienced organ virtuoso, Nancy Crook, plays a varied programme of familiar and less well known organ masterpieces, including: Fantasia and Fugue in G minor BWV 542 by J S Bach; …
Celebrating the friendship between composer and war poet, Ivor Gurney, and musician and first woman music critic, Marion Scott; written and performed by Jan Carey.
Brighton’s Storyland Press is a place where the story comes first, regardless of genre or where it sits on the commercial/literary spectrum.
“Reason is, and ought only to be, the slave of the passions.
The comedy duo Nancy, made up of Colin O’Brien and Michael Wolf, presents this very funny twist on musical sketch with a concert about the highs and lows of love, sex, and ti…
Join Scotland’s Biggest drag queen for a spectacular hour of her own brand of risqué comedy.
TV personality Nancy Dell’Olio reveals her secrets to surviving with glamour: this is a woman who has never let fate smudge her make-up.
‘Who are you here for?’ asks the Assembly ticket-tearer as he works his way through the sizeable queue.
This play has a great plot.
Given that Edinburgh is something of a Glastonbury equivalent for guardianistas, Steve Bell’s show seethes with lively, middle-aged enthusiasm.
Presented in a university lecture hall, Hashtag Double Standards: Twitter on Trial is a talk given by Paul Motion, a solicitor since 1984 with an interest in social media.
‘Fed up with grim, hand-wringing, one-man shows?’ asks this production’s flier: ‘Go and see something funny.
Pirates, exclamation mark.
Cape Wrath is an intimate one man show.
I watched Shhhh in a state of complete bafflement.
S/He is Nancy Joe is more than just an exuberant dance performance.
Despite the promise of five ”appenings’ on the poster, on arrival at Beside The Greenside, it is immediately clear that very little is ‘appening there at all.
The ‘office comedy’: mastered in ‘The Office’ and storming the Fringe this year in Blam!; here that well-loved genre takes on a new guise in the first theatre adaptation of Danish …
In a new adaptation of Luigi Pirandello’s disturbing masterpiece, Cambridge ADC chop, change and miss the point entirely.
The writers of Darts Wives bring a new concept to the comedy circuit.
One of the most memorable pieces on show at Amazing Amber is a beautiful piece of genuine Baltic amber containing a small, perfectly preserved fly.
Shirtwaist is a brilliant piece of grim theatre.
First impressions can be misleading.
The 1960s hit A Funny Thing Happened on the Way to the Forum is a fast-paced, rollicking farce.
This puppet’s nose isn’t growing when he comments that The Table is,‘difficult to put your finger on, as you’ll discover when you try and tell your friends what you came to…
Only a few things feel strained in this transposition of Les Mains Sales to 1982 Northern Ireland.
The most prominent feature of this production’s adaptation is its swingin’ sixties setting.
‘Well Done You’ calls itself a character sketch show, but Lucy Trodd and Ruth Bratt are in character even when not doing sketches.
Not long ago, the Rubberbandits were just a couple of schoolboy pranksters.
Dominic Allen’s adaptation of this old pirate classic is fast paced and good fun.
Louise Ford’s character Jenny Fawcett has an earnest, alarming smile, slightly mad eyes behind unsexy specs and a gurgling voice.
For the first ten minutes, Shane Dundas’ material revolves entirely around his fear of a solo show.
When a show is going badly, repeatedly telling the audience that they’re a tough crowd only ever exacerbates matters.
Roisin Connaty may describe herself as ‘almost good looking,’ but she has a weapon of attraction quite independent from her sunny, open expression or her bleached blonde hair.
The blurb describes this performance as a ‘sobering, gloriously juvenile collision between foresight and hindsight’.
An author, two actors and an audience member discuss Tim Crouchs last play, an unnamed and violence-filled two-person production whose effects on the actors and writer are slowly…
With an intense stare, Jen Brister describes her set as ‘a beige lesbian in a darkened room.
There’s a difference between absurdist theatre and ridiculous theatre.
Hannibal Buress is a really chilled-out entertainer.
It’s a relief when Mary Bourke promises that she won’t be doing any clichéd ‘female comic’ stuff.
James and Craig - the comedy duo behind Best Days of Our Lives - earn their stars as much through likeability as humour.
In her white shirt, grey knee length skirt and black brogues, Sara Pascoe looks like a schoolgirl.
This show is exactly what it is.
It’s not why she’s called the Inbetweeny Lady, but Sally-Anne Hayward’s set details what happened to her in between last year’s Edinburgh Fringe and this year’s.
Peer Gynt is, according to our storyteller, ‘the most self-centred, egotistical liar in literary history’.
Barry Morgan’s act rests heavily on double entendre.
You should brace yourself before seeing Nights At The Circus, and not just because of its circus setting.
I’d never been enticed by terrible dancing before I saw Celia Pacquola.
Jackson Voorhaar’s set details the things he loves and loathes.