A celebration of the enduring friendship between the brilliant and tragic composer and war poet, Ivor Gurney, and Marion Scott, writer and trailblazer of women musicians, written a…
King’s Counsel.
What do you do when Ms Alzheimer’s – a hideous and befanged monster – comes to live with you? Local author and journalist, Susan Elkin, talks about her new book, …
Novelists Jenny Nibbingley and Burton Mastrick need no introduction.
What if your favourite characters didn’t quite like the way they were written? What if they decided enough was enough? When an unnamed author is found dead, his characters are br…
One-time Riot grrrl, witch, illustrator Joanna and her volatile alter egos explore life and love.
Ivor B Gurney and Marion M Scott had a very special friendship.
A celebration of the friendship between the First World War poet and composer, Ivor Gurney, and violinist, musicologist and champion of women musicians, Marion Scott.
Brighton favourite, award-winning comedy actress and stand-up Jo Neary returns by popular demand, with her best-loved characters in a sarcastic show about marriage, music, and moan…
Brighton favourite, award-winning comedy actress and stand-up Jo Neary returns by popular demand, with her best-loved characters in a sarcastic show about marriage, music, and moan…
Romancero Books with the support of the Office for Cultural and Scientific Affairs of the Spanish Embassy in London presents the Festival of Queer Spanish Literature in London…
TV and radio comic and award winning actress Joanna Neary returns with her full length new show, including her best loved comedy characters and special guests for a double bill of …
2019 marks 50 years since Joni Mitchell released her album, Clouds, which featured arguably her best loved song, Both Sides Now.
Celebrating the friendship between composer and war poet, Ivor Gurney, and musician and first woman music critic, Marion Scott; written and performed by Jan Carey.
Brighton’s Storyland Press is a place where the story comes first, regardless of genre or where it sits on the commercial/literary spectrum.
Reacting to political turmoil, class struggles and bothersome intrusive thoughts, Neary attempts escapist talent show Opportunity Knockers.
Sarah Calver begins her spirited, witty show with a disclaimer: this show is ideally watched in Berlin at 10pm while a couple of pints down.
Swearing more than a band of sailors, the cast of Our Ladies of Perpetual Succour present an entirely candid portrait of female teenage sexuality and lives.
Four people are onstage at the start of this play: Sean Campion and Scott Turnbull, the actors playing a mother/daughter pair, and a real-life mother/daughter pair.
Vanishing Point’s latest devised show opens with three figures creating what look to be masks, perhaps of their future selves.
The Carousel, the middle play of The Jennifer Tremblay Trilogy, is a frantic, flashy piece of theatre with a strong performance at the heart of it.
Shef Smith’s new play presents three damaged, complex, engaging characters, each trying to continue their lives in spite of a new sense of chaos surrounding them.
A nun and an ex-con find themselves on the run across Ireland, carrying two film rolls, identical in appearance but with very different sets of pictures on them.
Attempting to answer the question posed in the second part – The Carousel – of whether The Woman had a ‘happy childhood’ or not, The Deliverance provides the conclusion t…
Though this is a story about a trader, the crash of the title refers not only to the financial crash but also to a car crash that turns the trader’s life upside down.
The much-loved Celia, housewife and host, returns, on tour with her Toxborough Village Hall Chat Show, in aid of the Animal Hospital, for a kitten who needs an iron lung.
Glenn Wool isn’t afraid to engage with Big Themes: feminism and the existence of God take centre stage during his set.
In 2015, using actors who haven’t seen the script for a piece of theatre isn’t too much of a selling point: there are always multiple shows at the Fringe which do so.
Being seated at director Josh Roche’s production of A Third means being drawn into the intimacy of a couple’s studio flat.
Many dance artists have assumed the role of both choreographer and performer, conceptualizing and creating work as well as interpreting it.
Anna Jordan’s plays are sex fables for the modern day that everyone must see.
Grace Savage, the UK’s official female champion beatboxer, suits her oxymoronic name to a tee.
Virginia Woolf’s Orlando is an odd book.
Phlash! is a confusing mess of a show.
After last year’s storm-causing, award-winning, activism-inspiring show, it was hard to see how Bridget Christie would be able to better last year’s set.
Birthday Girls, made up of members of the now disbanded sketch group Lady Garden, is a three-woman group delivering excellently pitched long and short scenes.
Jana and Heidi starts with the blasé observation that Heidi Stransky had seen a comedian at last year’s Fringe Festival and thought “I could do that”, deciding to put toge…
We are promised an “epic tale of love, loyalty and logistics” and, with varying degrees of each, that is what we get.
Hattie Ashdown was a mistake.
Natasia Demetriou is new to solo shows.
A quick glance into the Fringe brochure may lead an innocent punter to think The Interview is an intriguing show.
Outside, the queue is teeming.
Foil, Arms and Hog are a group of stylish Irish lads with an old-school, vintage look.
Juggling is impressive.
A naked pair of male buttocks tense under a spotlight as the play begins.
The plot runs as follows.
The Bunker Trilogy has transported the world of Shakespeare to the trenches of the first World War.
Live jazz bands and theatrical pieces are rarely blended together so successfully.
Alex Owen and Ben Ashenden are the veritable princes of the meta-theatrical sketch and descendants of a very British kind of comedy.
Our host for the evening is Sunna Jarman, and she is certainly engaging.
Banterous and dangerous, this night of eclectic stand-up comedy is in the hands of three very capable performers.
As was always to be expected, the buzzword of this year’s Fringe is independence.
The intriguing central premise of The Curing Room is based upon a terrifying true story.
Holly Walsh makes it clear in the opening sentences of Never Had It that she certainly doesn’t have ‘it’.
Echolalia is a type of autism where sufferers automatically repeat the words and phrases of others.
Magic Number Six documents the friendship between actor Patrick McGoohan and TV producer Lew Grade throughout the making of TV series The Prisoner.
This returning Fringe hit begins with an anecdote about a young woman called Chloe locking herself out of her house.
Dark Matter is a piece of theatre that breaks many of its rules and moulds new ones.
A Respectable Widow documents the beginning of the unlikely friendship between Annabelle Love, a respectable English widow, and Jim Dick, a working class Scottish employee of Annab…
Sinead, a prostitute, Debbie, an alcoholic thief, and Mags, a schizophrenic who has murdered her husband, all inhabit the same prison.
An ordinary woman sits on a park bench reading a newspaper.
This black comedy about competition appropriately takes the form of a game show.
Dot is going senile in her new Mancunian flat.
In this one-man show, a man called Michael shoots himself, speaks to his therapist about his depraved impulses and his infatuation for the wife who has left him and stalks said wif…
The cast of short musical ‘It’s not what you know’ are talented.
Dugout theatre company returns to the Fringe with Fade, a play about the pursuit of meaning and its detrimental consequences.
Revill’s Selection is an hour of very friendly comedy, with Paul Revill hosting and three unannounced acts every day.
The scene is set in dementia sufferer Claire Conomor’s care home.
Life Sentence follows the story of Theo, who has just been diagnosed with immortality.
‘I had changed as a person since entering the beauty pageant.
Idle Motion is a theatre group that specialises in physical theatre.
Ridiculous, surreal, pornographic - just three words which do no justice to this art performance dance by Italian group CollectivO CineticO.
If you’re dealing in absolutes, you’d better make sure your show delivers.
Tonight the stage took a hammering.
Buzzcut is a performance festival that premiered in Glasgow earlier this year and that describes itself as ‘a celebration of live art in all its idiosyncrasies’.
Milton Jones enters, characteristically via scooter, clad in a blue print shirt, orange trousers, orange shoes, and hair which defies gravity.
In a new play by Matthew Kirton, the ageing Jack Goodman is trying to attend his daughter’s violin recital at the Royal Opera House, before being detained by two detectives unusu…
There is a danger when dramatising an incident as horrifying as the 2012 Delhi gang rape case, in which a woman coined Nirbhaya (meaning fearless) was dragged from a bus and raped …
As we took our seats, furnished with appropriately rose-patterned cushions, and gazed on at the living room set before us, it was as if we were in someone else’s house, listening…
Foil, Arms and Hog are an Irish sketch comedy trio who combine innovative ideas with silliness and boyish charm.
Finding Libby story follows sixty-something-year-old Pauline as she embarks on a nautical holiday along the canals of England.
The poster for Outside on The Street features a young Aryan man with blood running down his face.
Even if you haven’t heard of Vikki Stone, you may still have heard the anecdote about a loving fan sending their knickers in the post to Phillip Schofield and writing and perform…
In a new adaptation of Luigi Pirandello’s disturbing masterpiece, Cambridge ADC chop, change and miss the point entirely.
Heart throbs is a show that pulsates with silliness.
It is difficult to critique a show that is raising awareness and funds for ovarian cancer research, but I will try my best.
Verbatim shows have hit this year’s Fringe like a storm.
Perfectly passable vocal jazz group The Oxford Gargoyles are becoming something of a Fringe institution, celebrating their eighth Festival and fifteenth anniversary this year.
Jamie Demetriou has come up with and employed a great and original idea for his Pleasance comedy set.
David Trent has labelled each of his possessions: ‘This is a screen’, ‘This is a laptop’, ‘This is a projector’, etc.
Last year, comedy duo Shirley and Shirley were Unleashed.
Written and set in the nineteenth century, Strindberg’s best-known play is about an illicit affair between Miss Julie, the lady of the house, with her footman Jean.
Expressed in a combination of physical theatre, experimental sound and video, the copy print says e-Station is an exploration of the ‘complex modern relationship between the huma…
If most people had a time machine, it’s unlikely their first choice of destination would be Truro in 1987.
avoiDance, a company who describe themselves as ‘fusing live theatre and cinematography to create distinct performances’ put two dance works together in their program Reel Pers…
Githa is a one-woman show about Katherine Githa Sowerby, suffrage playwright and writer of Rutherford and Sons, and her struggle to be respected in the male-dominated literary worl…
Tania Edwards deserves a much bigger audience than what she was met with last night.
Rope is a play of the Victorian thriller genre written by Patrick Hamilton in 1929.
Dylan Moran has changed his persona somewhat.
Future Tales (Sierakowski)by Komuna //Warszawa is based on the politics of Sławomir Sierakowski, a 34 year old ‘left-wing intellectual and activist’ who has become a prominen…
In 2010, a young American student and an old British academic take an interest in the life of the Romantic poet Chatterton, and specifically the circumstances of his relationship w…
George’s Marvellous Medics is a sketch show about medics by medics, with a few Olympics pieces thrown in too, as well as a scattering of quite random ones.
Hitch and Mitch’s intentions were to be so bad that they were good.
Matthew Crosby is a five foot five bearded man with a side parting, who wears short-sleeved checkered shirts and black, thick-framed glasses.
In this supposedly fifty-minute show, the audience were met with twenty minutes of relatively weak material, often sitting through unjustifiably long stories for their mediocre pun…
People who like their comedy surreal will enjoy this more than others.
The Shack Comedy Club is a new venue just beginning to find its feet.
Maurice Cock and Belvedere Bagg model their show as a lesson in how to act.
When I saw that Tennessee Williams’ tragedy of lost youth and nostalgia was being performed by a cast of sixteen-to-eighteen-year-olds, I’ve got to admit that I had my doubts.
Young, blonde, tall and attractive Ed Gamble and Hagrid-lookalike Ray Peacock at first glance seem an unlikely pair.
Brought to us by four performers who are intelligent, endearing and funny in equal measure, Greetings from Kwat aims to ‘explore the dirty under-carriage of our suburban dystopia…
An author, two actors and an audience member discuss Tim Crouchs last play, an unnamed and violence-filled two-person production whose effects on the actors and writer are slowly…
Having watched Oyster Eyes Presents: Some Rice, you find yourself trying to work out what it is exactly you have just seen.
This dark play about confronting death introduces us to an array of fascinating characters: Amy, a hotel-cleaner, Jim and Elaine, and Ben and Kate, whose lives are linked by a seri…
Andre King’s style is an endearing one.
Richard and Max have been best friends since high school, where they bonded over their respective social flaws.
The title of the play sets up an immediate opposition between love and understanding, and once seated, we are soon presented us with characters full of love and totally lacking in …
The Better Half just wants to say it how it is.
I’ve just spent the most uncomfortable hour of my Festival thus far.
Seeing Double: Figures is a testament to innovation at its best.
Clock-watching in a performance is never a good thing.
Only Humour, the first improv group to emerge from Bristol University, present us with Word:Play.
The play opens with a teenage girl feeding ducks from a park bench.
Panning for Gold is a performance about love: finding love, losing love, and moving on.
Hal Cruttendon is a very good traditional comic.
The magical, dusky venue that is the Assembly Elegance Tent provided the perfect atmosphere for the night-time revels of Marcel Lucont’s Cabaret Fantastique.
Agnes, played by Abi Tedder, is hosting a wake for the father who abandoned her as a child.
Six actors take turns playing a beachcomber while the rest watch, amused and concerned.
A performance where the embodiment of the communication between audience and performer is at the core of its success, Say Something is the epitome of a live event.
The humour of sketch troupe Sploshy can most realistically be described as lazy.
Jack Heal’s Murderthon is as ecstatically funny as the man himself.
Six performers moved in and around a scaffolding structure erected in St.
The idea behind The One Hour Plays is that through audience involvement a script can be written, cast and performed with the appropriate costumes, props and music in under an hour.
Hervé is a professional dancer and singer who grew up in Mali and France with his adopted Belgian parents and brother.
The key ingredients to any successful comedy show have to be a friendly audience, a boisterous atmosphere and a packed venue, all of which the Showcase Show had.
The premise is simple: a group of people meet in a park.
Shirley and Shirley Unleashed is a show about two women who, as the title suggests, do indeed seem somewhat feral (especially in their binge-drinkers-turn-into-wild-monkeys act).
Through Kane’s discussion of procreation, something great is indeed born, and that is great comedy.
The much-loved creation of character actor, Joanna Neary, ‘Celia’ - housewife and host – returns to the Edinburgh Festival Fringe in 2015.