A celebration of the enduring friendship between the brilliant and tragic composer and war poet, Ivor Gurney, and Marion Scott, writer and trailblazer of women musicians, written a…
What do you do when Ms Alzheimer’s – a hideous and befanged monster – comes to live with you? Local author and journalist, Susan Elkin, talks about her new book, …
What if your favourite characters didn’t quite like the way they were written? What if they decided enough was enough? When an unnamed author is found dead, his characters are br…
Ivor B Gurney and Marion M Scott had a very special friendship.
A celebration of the friendship between the First World War poet and composer, Ivor Gurney, and violinist, musicologist and champion of women musicians, Marion Scott.
Romancero Books with the support of the Office for Cultural and Scientific Affairs of the Spanish Embassy in London presents the Festival of Queer Spanish Literature in London…
Paul Black's Fringe debut had a lot to live up to.
In a moving one-woman show, Lubna Kerr explores race, heritage, gender and health in the context of her and her family's experiences as a Pakistani family in Glasgow.
Perfect for fans of disco, politics, and drag (this Venn diagram overlaps more than you'd think), Margaret Thatcher becomes transformed into a cabaret Soho star in this hilario…
Lockdown has been a universal experience for everyone in this country.
Femme Ta Bouche: a gender-bending cabaret star with cancer, cooped up in rural Arkansas, wants to make a statement.
Transgressing borders, ethnicity and culture, MOVE is an epic tale of women across the world and how their stories intertwine.
One of four shows he’s bringing to the Edinburgh Fringe this year, Kieran Hodgson showcases the best of his comedic talents in ’75, which uses the 1975 referendum on the UK’s…
Unlike the majority of shows at the Fringe, Pick Up a Brick was a one-off panel discussion about queer art and how we can use it as activism, including an audience Q&A.
Buzzing is the story of Julie, a 50-something recent divorcee who is wanting to discover herself and “find meaning”.
Making a show with your ex must be awkward, right? Maybe.
Hannah Raymond-Cox brings an intricate mix of storytelling and poetry to take us on a tour of her life – growing up in three different countries, being queer, and all the complex…
FOC It Up is a comedy collective aiming to showcase the talents of women and non-binary people of colour, in a comedy world that is mostly made up of straight white men.
In a “day in the life” format of her experiences at Burning Man festival, Desiree Burch intricately tells us the story of her search for sex during an unintentional acid trip.
Alex Kealy’s latest Fringe performance is a politically charged, self-deprecating show based on sound political analysis and funny life anecdotes.
Collapsible follows the story of Essie, who at the outset feels like she’s crumbling.
Truly funny, indigenous comedy, Aboriginal Comedy Allstars features three Aboriginal Australian comedians: Kevin Kropinyeri, Steph Tisdell and Andy Saunders.
Have you ever been to a comedy show by someone who can travel through dimensions, from one world to another? No, me neither.
Writing a Fringe show on the premise of an audience member who hated your show last year is a bold move, but Catherine Bohart pulls it off and even manages to make a political poin…
Good comedy doesn’t come out of a comedian being happy, right? Wrong! Suzi Ruffell proves her own point wrong when she begins her show, Dance Like Everyone’s Watching, by sayin…
A show unlike anything I’ve seen before, Wildcard Theatre bring award-winning Electrolyte back to the Fringe for a second year running.
Ahh, Love Island.
“I wanna be woke, but I’m tired.
FATTY FAT FAT, performed by Katie Greenall, explores one woman’s journey of growing up fat and surviving in a world where your body is viewed as wrong, unhealthy and disgusting.
Celebrating the friendship between composer and war poet, Ivor Gurney, and musician and first woman music critic, Marion Scott; written and performed by Jan Carey.
Brighton’s Storyland Press is a place where the story comes first, regardless of genre or where it sits on the commercial/literary spectrum.
This one-man-show chronicling a young rugby star’s struggle with sexuality, love, and being ‘outed’ against his will is sincere, powerful, and entertaining.
What do you say about a show where the second guest comedian blatantly ignores the host and then walks out of the show after his set?.
Without a doubt this all-female experimental show is one of the most bizarre things I have ever seen.
Dawn State’s sharp, modern adaptation of Kipling’s classic novella could be deemed a classic in itself.
In a totalitarian state, a writer of controversial literature is about to be killed by an executioner, and he’s expecting him.
Ever wanted to be a walk-on part on a film set? Well, now’s your chance - sort of.
This one-on-one theatre experience, which explores human connection in the age of Facebook, is a vulnerable and yet surprisingly comfortable invitation into the story of Claire and…
If one has been lucky enough in life, one might have met that unique person that makes us feel like we are flying, or, at the very least, like we could fly and never land.
Half Derren Brown mind tricks and black magic show, half theatrical monologue, this 50-minute lock-in with John Faust is frighteningly good fun.
With the help of two turntables and a microphone, a flamboyant flamenco outfit, and maracas, DJ Juan Vesuvius (Barnie Duncan) will take you on a hilarious calypso-fuelled joy ride …
The premise of Notes from Bermondsey Street is that it reveals the secret urban lives of Londoners through their anecdotes written on notes and concealed in the drawer of a table i…
In this production of Speak Truth to Power (a play by Ariel Dorfman), ten American High School Students weave together the words and stories of fifty human rights activists from ar…
As part of the American High School Theatre Festival, a group of US students bring Circle Game to the table, an original piece about stereotypes in urban America.
Questioning Aslan, a production by Searchlight Theatre Company, opens to us an evening with C.
Jolting and unbalanced, although not always in the appropriate way, DEM Productions version of Sarah Kane’s 4.
Set in the living room of an unhappily-married couple, one of whom is a politician on the eve of an important election, Internal Affairs follows the couple through several attempts…
Vomit, drunkenness, debauchery, despair and hope are all part of Jim Cartwright’s gritty and award-winning play Road, which is powerfully brought to life by the talented Accident…
Smoke machines, lasers, flying spaceships, live music and a mission to save the future of humanity, all in one fun-filled hour.
Creased Productions’ Rough Theatre brings to the stage two of Beckett’s lesser known plays, Rough for Theatre I and II, in simple but effective style.
In hall at the top of a church on a blank proscenium arch stage, a group of Canadian high-schoolers gave me more than I bargained for: two plays for the price of one.
Whilst in the Fringe Guide this show rests under the category of ‘Spoken Word’ with a subcategory of ‘comedy’ I’m not sure I could call it either, as although aspects of …
Anoesis took me back to the days of school uniform and strictly invigilated exams, the days when you answered ‘here’ to your name at registration and when teacher’s reports i…
Welcome to 2113 and to another play set in the not-really-that-distant future.
Bianco, NoFit State’s physical theatre/circus performance, was so passionate and playful that by the end I had resolved to run away with the circus.
Four desks, each littered with character appropriate props: on the first, colourful craft ribbons, tea and biscuits; the second, a simple but elegant glass and bottle of white wine…
Verbatim theatre can be hard-hitting and grittily real, driving home personal perspectives on an event or discussion and letting the truth speak for itself in order to make a point…
Breathless, emotive and impactful, Gecko Theatre’s Missing is a powerfully visceral experience.
In the colourful, cosy confines of Assembly’s Bosco venue, half theatre half circus tent, the Royal Conservatoire of Scotland whisks you away for an afternoon to the weird and wo…
This story begins, as many stories have done before it, with a teenage girl (Nina), whose mother has gone into rehab due to alcoholism and who, as a result, has now been forced to …
Set in a dingy living room in a Leeds suburb on the eve of a new year, Beeston Rifles delivers an exhilarating experience that is one part revenge to two parts tragedy.
Robert Golding, the sequel to Owen Thomas’ Richard Parker, walks the path from the ordinary to the unusual before tumbling into the chasm of bizarre.
11:20 in the morning may seem a strange time to witness a play about a couple’s most intimate moments together and their private considerations but in the dark Upstairs of Assemb…
This play, set in a not too distant dystopian future, seemed as though it could have been, or should have been, a memorable and gripping piece.
A girl appears on a blank stage in a white shirt and jeans and with a flower clip pinning back one side of her hair.
In a new adaptation of Luigi Pirandello’s disturbing masterpiece, Cambridge ADC chop, change and miss the point entirely.
Going to see a production of Antonin Artaud’s work can be a daunting prospect because you know by default that it will a disturbing experience: either disturbing because it hasn�…
One blank stage space, one exceedingly talented woman dressed all in black, one large black veil: apparently these are the only ingredients you need for an hour of superb entertain…
Loosely inspired by the fairy-tale ‘The Elves and the Shoemaker’, Pendulums Bargain Emporium explores, through puppetry, imaginative visual theatre and music, the impact that g…
An author, two actors and an audience member discuss Tim Crouchs last play, an unnamed and violence-filled two-person production whose effects on the actors and writer are slowly…