A celebration of the enduring friendship between the brilliant and tragic composer and war poet, Ivor Gurney, and Marion Scott, writer and trailblazer of women musicians, written a…
Abi Clarke lived the modern-day dream.
Bryony’s done with clowning.
Stand-up comedian, social media star and ultimate try-hard Abi Clarke performs new material in an intimate venue, developing her highly anticipated debut show.
What do you do when Ms Alzheimer’s – a hideous and befanged monster – comes to live with you? Local author and journalist, Susan Elkin, talks about her new book, …
What if your favourite characters didn’t quite like the way they were written? What if they decided enough was enough? When an unnamed author is found dead, his characters are br…
Join the award-winning star of Breaking The News, Heart FM and One Show for a joyful new comedy chat show.
An ode to every man who has belittled her, made her feel unsafe, objectified her, told her she can’t be funny, called her a slut, told her to smile more.
Ivor B Gurney and Marion M Scott had a very special friendship.
A celebration of the friendship between the First World War poet and composer, Ivor Gurney, and violinist, musicologist and champion of women musicians, Marion Scott.
Romancero Books with the support of the Office for Cultural and Scientific Affairs of the Spanish Embassy in London presents the Festival of Queer Spanish Literature in London…
Sian Clarke is a difficult woman, who needs to learn to take a joke and smile more.
Dr John Cooper Clarke shot to prominence in the 1970s.
Bryony Kimmings’ I’m a Phoenix, Bitch is a glimmering, harrowing, firework display of a show, and is easily among the best performances at this year’s Edinburgh Fringe.
This is Sian Clarke's ode to every man who has belittled her, made her feel unsafe, objectified her, told her she can't be funny, called her a slut, told her to smile more… A …
Performance artist, comedian and mother, Bryony Kimmings rises from the ashes in new autobiographical show I’m a Phoenix, Bitch, a piece exploring motherhood, trauma and healing.
Britain’s best loved poet Dr John Cooper Clarke is heading to the London Palladium on Sat 24 November 2018.
Michael Clarke has felt something.
Combining disciplines of theatre and stand-up comedy, Stalagmite is a surreal, raw and soggy performance exploring the resilience it takes to love again.
Character comedian Bryony Twydle (BBC Radio 4’s Sketchorama, E!’s The Royals) presents her debut Edinburgh show.
Celebrating the friendship between composer and war poet, Ivor Gurney, and musician and first woman music critic, Marion Scott; written and performed by Jan Carey.
Michael Clarke has felt something.
Brighton’s Storyland Press is a place where the story comes first, regardless of genre or where it sits on the commercial/literary spectrum.
Bryony Twydle (New Comedian of the Year 2016 semi-finalist, Funny Women 2015 semi-finalist, BBC Radio 4’s ‘Sketchorama’, one fifth of award-winning sketch group The Jest) bri…
Sometimes a little simplicity can go a long way in the theatre, and in this case, the title of this piece about the life of composer and performer Ivor Novello is very apt, as it r…
John Godber’s fluid exploration of British society, drinking culture and nightlife in the 1980s is a fast-paced romp through fragments of characters’ lives, from upper-class ch…
In this new musical, a piece which has flashes of The Picture of Dorian Gray crossed with psycho-dramatic elements of an Edgar Allen Poe ballad, a story of clandestine love, beauty…
Caryl Churchill’s 2002 play about the ethics of genetic cloning and an extension of the well-worn ‘nature versus nurture’ debate is a challenging text for actors.
In this one-performer play by writer Donald Smith, actor Robin Thomson plays King James – at once James VI of Scotland and James I of England.
Casting one’s mind over the great theatrical titles of our time, there are very few which can compete with the concept suggested by the name of this play by Tale Gate Theatre.
Ambitious in its intentions, At War With Love uses a selection of thirty-two of William Shakespeare’s sonnets to form a narrative set against the backdrop of the First World War.
A twelve-year-old girl writes a poem.
“Who’s afraid of the big, bad wolf?”Such is the musical refrain setting the playful, yet pervasively sinister, tone which permeates this piece from the outset.
It is a story well-known to millions, made all the more poignant and absorbing for its absolute authenticity.
The stellar reputation of Paines Plough’s championing of new writing for the theatre means that each new offering is welcomed with a great deal of anticipation.
Samuel Taylor Coleridge’s Romantic poem The Rime of the Ancient Mariner already exists as a work of enviable length.
The setting is intimate, and encroaching on the personal space of a frail man, in a battered armchair listening to the television (news of the Gulf War is on – the year is 1991) …
The Edinburgh Fringe has recently seen a surge in theatrical adaptations of Nikolai Gogol’s short story Diary of a Madman.
Jane Austen’s satirical novel, itself a pastiche of recognisable and well-worn tropes of the Gothic literary genre, is here given new life by company Box Tale Soup, consisting of…
Seemingly at the end of his tether, a teacher sits, tie loose, marking work, clearly frustrated to say the least.
The set-up is simple: an armchair, a side-table, and a teapot, cup, and saucer.
An expansive stage space is dominated by assorted wooden furniture, with some pieces decked out in opulent reds and golds.
In the latest theatrical offering of a Jane Austen themed adaptation, this piece, which is billed as a new musical by Penny Ashton, interweaves thirty-three direct passages from Au…
George Orwell once wrote a fairy tale in order to avoid accusations of criticising reality.
As cryptic as the title of this show may seem to be, its basic premise is established very early on.
Having previously seen an outstanding Georgian language version of George Orwell’s Animal Farm by the Tumanisvili Film Actors Theatre at the Edinburgh Fringe Festival in 2014, in…
In a dystopian London, in which the unseen outside world is ravaged by violence, drugs and fear, Mercury Fur focuses upon the relationship between two brothers and depicts, in char…
Emerging in a Grecian breastplate of gold, to a poetic backdrop of Wilfred Owen’s Dulce et Decorum Est the stage is seemingly set for the presentation of a man whose view of hims…
The title song, by Cole Porter, makes an appearance part way through the second half of this narrativised collection of numbers, and really speaks of the character’s ultimate sta…
“You come in like a lion and you leave like a lamb”.
‘What does it mean to be a human?’Voiced explicitly at one moment during this equal parts captivating, inviting and horrifying production, the question of the very nature of hu…
The female object of Beethoven’s widely known composition for solo piano is unknown, though in this devised production by the York Drama Soc, she is given form and identity as th…
On every front, this show is a winner.
Des Clarke is a much loved performer in Edinburgh.
Set in 2057, a time not too far away from our own, The Mission charts the selection and preparation for an unprecedented space exploration by an unremarkable and apparently run-of-…
Two of the jazz world’s brightest stars Stanley Clarke and Hiromi are to set London’s most famous stage alight as they make their debut UK appearance as a duo for one n…
Mark Ravenhill’s play uses the metaphor of two brothers – twins – to represent the former partitioning of Germany into East and West during the time of the Berlin wall.
This young company from The Theatre School in Tunbridge Wells, Kent brings an array of engaging, emotional, and believable performances to Dennis Kelly’s gritty play.
For many people today, their impression of Albert Einstein is quite possibly informed by the oft-seen image of his face: tongue sticking out – to all intents and purposes every b…
Welcome to the Edinburgh Spiritual Emergency Support Group.
Multi award-winning playwright in conversation about her work.
First things first, a notable mention must be awarded to the sterling efforts of the two-piece band.
The challenge for any writer tackling the well-worn topic of WWII is to find a particular niche or angle which has not previously been given adequate treatment.
If ever there were a production which vociferously defends the ability of young people to make theatre with the impact of a professional standard (whatever that actually means) thi…
In this devised piece, the company from the University of Pennsylvania’s Theatre Arts Program set themselves an almighty challenge in terms of the subject matter they deal with (…
Following The Wardrobe Ensemble’s previous creations, including the depicted opening of a Swedish furniture store (RIOT) and an account of the Chilean Mining Accident of 2010 (33…
Edgar Allen Poe’s seminal poem, which charts the gradual descent into madness of a heartbroken lover compounded by the incessant repetitions of a talking bird, gives its name and…
Nikolai Gogol’s short story, formed of a series of diary entries, charts the descent into madness of an ordinary civil servant, whose observations on the power-holders within his…
A new musical set at the beginning of the First World War.
Phillip Aughey’s favourite composer is the great pianist Frédéric Chopin and, having been present at a number of recitals of his work last year, he has been motivated to create…
This piece of new writing from Ben Maier is the latest addition to the succession of plays at this year’s Fringe which in some way seek to deal with issues of mental health.
Ostensibly a community play, there can be little doubt that the impact of Letters to Aberlour will be most keenly felt by people from the area in which the play is set, and by thos…
This is immersive theatre.
As theatrical metaphors go, the equating of psychological ‘baggage’ to physical suitcases is one of the more straight-forward examples, yet that is not to decry the effectivene…
Is this a music concert? Is it a piece of theatre? Can it be both? Might it be neither? These are the questions that may well fly around your mind after experiencing The Great Down…
Though Jane Austen is undoubtedly one of Britain’s most prominent literary names, Persuasion is perhaps her least widely read work.
British Exist Theatre Company admit that they sometimes embrace challenging and provocative subjects.
Philip Ridley is often shocking, constantly provocative, and always thought-provoking.
Billed as both musical theatre and performance art, the audience for Brigitte Aphrodite’s My Beautiful Black Dog, her autobiographical account of depression, is likely to bring v…
It is not often that Howard Barker’s plays are produced in Britain (he is far more popular in Europe and America) in spite of his prodigious output and well-known name.
Artistic Director of Gecko, Amit Lahav, revealed in conversation after this dynamic, forceful and moving performance that the initial stimulus for Institute had been an exploration…
The absurdist mindset in The Empire Builders would suggest that any endeavour to find meaning in the play is inherently flawed, due to humanity’s inability to make sense of anyth…
The Trouble with Being Des, according to Des Clarke, is that he has an inner demon man child inside him which makes him “weird”—not least within the context of growing u…
Des Clarke is one of the most popular comedians working in Scotland today.
It was once thought that school productions of Shakespeare plays were for the enjoyment of supportive parents and few others.
In a new adaptation of Luigi Pirandello’s disturbing masterpiece, Cambridge ADC chop, change and miss the point entirely.
Bristol Improv for Hire sees a group of presumably recent graduates from Bristol navigate their way around the weird and wonderful world of job hunting through entirely spontaneous…
The young and talented cast of the Ecco Theatre Company, are making their debut at the Edinburgh Fringe Festival a blistering, tear-jerking and highly ambitious performance.
Chronicling the hubristic rise and hellish fall of a man in his pursuit of pleasure and knowledge, Dr Faustus is a play that is truly terrifying to read and yet, rooted as it is in…
Late Night Laughs is a simple compilation of stand-ups, tonight held together by the bizarrely attired MC Paul Sweeney.
‘Be my, be my baby’ - since seeing Stagecraft Productions’ performance of this Amanda Whittington play these lyrics have been in my head on a permanent loop.
From the beginning of this sketch show from Bristol University’s renowned comedy troupe ‘Bristol Revunions’, it was unclear what level of reality we were operating on.
Samba Sene and Diwan offer an ingenious synthesis of afrobeat grooves, ska and funk, suffused with ‘Senegalese soul’.
Talented Welsh comedian Lloyd Langford has the infectious ability to find hilarity and absurdity in the banality of his everyday routine.
The Six O’Clock News was a varied and eclectic mix of political satire, stand-up, and some serious, thought-provoking talks.
Particularly when compared to the polite folk of Edinburgh, Glaswegians have a reputation for talking.
Whilst listed in the ‘comedy’ section of the Fringe guide, this one man performance by the Irish comedian Vinny McHale was really more like a talk or a lecture.
As the director Ross Slater explained vaguely in his introduction at the beginning of Gob Shop, ‘this isn’t really theatre, not like Shakespeare, or that sort of thing’.
This free show at the fringe consists very simply of two fairly promising comedians, Mark Diamond and Darren Walsh, alternatively delivering stand up performances.
Dublin’s comedy night The Death of Comedy made relaxing, jovial, if not exactly side-splitting entertainment.
An author, two actors and an audience member discuss Tim Crouchs last play, an unnamed and violence-filled two-person production whose effects on the actors and writer are slowly…
An evening of music, song and dance from the early Middle Ages to the Renaissance period is probably unlikely to set the pulse racing for most and yet while not exhilarating, the e…
Incredibly promising newcomers Harry Carr and Luke Davies delighted and occasionally repelled the audience with an hour of ingenious, highly bizarre and superbly executed sketches.
Observations of human behaviour from the perspective of a dog: it’s honestly not as bad as it sounds – but not by much.
Despite its humble setting, hidden away in a small, rather bare studio in Summerhall, We are Chechens! is a memorable, disturbing and deeply haunting piece of experimental theatre.
As the apparent leader of the sketch troupe Intimate Strangers, Matthew Radway adopts an inexplicable and rather poorly imitated German accent and informs the audience, ‘ve are h…
Des Clarke is one of the few indigenous Scottish stand-ups performing at the Fringe.
Headlock Theatre’s adaptation of Pushkin’s unfinished novel was certainly powerful, no less because of its experimental use of symbolist modes of physical theatre.
Having long been in the shadow of its slightly more famous Cambridge equivalent, this Oxford Revue defiantly leaps out of it, delivering a blistering, original and subversive hour …
Joyced! tells of an odyssey, narrated by a single performer, chronicling a year in the life of venerated author James Joyce.
A synthesis of drama, dance, and multimedia, this performance traces the life of philosopher Friedrich Nietzsche through the eyes of his Jhiva (soul).