Australian comedian John Robertson has become a well-known Fringe regular with his hit interactive gameshow, The Dark Room.
Wild at Heart is unapologetically weird.
From the title, Gruesome Playground Injuries sounds like grim viewing.
Youth Music Theatre UK have done something rather remarkable in their new production of Macbeth.
According to Baudelaire, the greatest trick that the devil ever pulled was convincing the world that he didn’t exist.
The Comedy of Errors is a challenging Shakespeare play to stage – it requires a deft touch whether you play it for laughs or more seriously.
A 250-year-old opera is a difficult proposition for the Edinburgh Fringe, where the emphasis is frequently placed on innovation and experimentation.
At the heart of Dendritical, the latest performance art piece by Christy Ann Brown, lies a contradiction.
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