From hand-jiving to slicked hair, Nikolai Foster’s Grease at the Dominion Theatre is a sprint down memory lane with extra twists.
Judy Seall’s Splinters is a strangely warm gothic Victorian tale, a warmth that emanates from the bonds between the members of the cast.
Children, especially toddlers are known to be tyrants.
A Highly Suspect Murder Mystery is an interactive Shakespeare-based whodunnit where the audience (with help from the cast) is tasked with solving the murder.
Jeff Ahern’s presidential campaign based on audience suggestions brings an insightful look at the current state of political affairs.
Death is sad enough, but growing up seems worse.
Turning what we know about morality on its head, Gabrielle James and Joshua Newman’s Living With Sin is an interesting twist on the traditionally 'evil' seven deadly sins…
Whilst it may be apt to stage John Montgomery and Derek Batchelor’s Flesh - a musical about Burke and Hare - at Surgeon’s Hall, the novelty stops there.
Lauren Brewer and Will Geraint Drake’s The Single Lady is a musical extravaganza, giving Elizabeth I the same treatment that Hamilton did to the Founding Fathers.
Whilst mildly fun, it is odd in this day and age to have any form of pro-police art.
Chronic Insanity’s 52 Souls is a series of monologues that correspond to each indiviudal playing card (plus one Joker) along the subject of death and mortality, all in an hour.
Despite the hyper atmosphere and start of Garry Starr’s Greece Lightning, there is something vaguely unsettling about the manic nature of the way that Starr approaches this show.
Despite what Catherine Bohart tells us in This Isn’t For You, she is more emotionally articulate than she gives herself credit for.
Jason Slavick’s Yellow Bird Chase shows us that the best children’s shows have something for everyone, whether it is the gibberish of the language, the compelling storyline or …
Filled with classically and subtly nihilistic British humour, Milo Edwards’ Voicemail is full of intelligent and thought provoking commentary that turns Mash House into a safe sp…
Unassuming at the start, A V Brodrenkova and Aimee Dickinson’s Foundations quickly breaks all boundaries and assumptions.
"What happens when you combine holy water and squash? Capers," Jonathan Sayer promises us during Mischief Comedy's Mischief Movie Night.
We are told from the start that America’s history is one of violence, and of wars.
Brenda (Jacqueline King), a marriage counsellor, is faced with multiple challenges.
Rhum and Clay's Project Dictator is a commentary on democracy and dictatorships, utilising different theatre genres to do so.
It’s delightful, it’s delicious, it’s de-lovely - it’s the Great Depression as you don’t know it, full of the glitz, glamour and luxury of old Broadway.
Maisie Adam is Buzzed about a lot of things, and it is a nice change of pace to hear how things are going well for a comedian.
Too young to be yelling at clouds, Ivo Graham decides to talk loudly at us over the course of an hour instead.
As the title Charlie Russell Aims to Please suggests, the entire show is an amalgamation of various theatre techniques from musical to slapstick to the dramatic in Russell’s atte…
From Gigglemug comedy duo Sam Cochrane and Alex Prescot, Runesical is an amusing, action packed quest based on the role-palying game Runescape.
Olga Koch is winning at life and she wants us to know it.
Some of our most recent experiences of yeast will most likely come from our own fervent lockdown breadmaking.
Whether it was the book or movie, C.
There is an unspoken cardinal rule that life tends to imitate art.
Don’t be fooled by the pink, as the aesthetic over comfort of Elliot Clay’s Millennials is the celebration that this generation not only deserves but needs.
William Shakespeare has been kind enough to leave behind a plethora of quotes about drinking.
‘Who had a better ending, Peter or Wendy?’ This is a question JJ Green invites us to ponder in A-Typical Rainbow, a powerful story about a boy growing up with autism and how it…
Stripping back any recognisable aspect of Russian culture, Jamie Lloyd’s adaptation of Anton Chekhov’s The Seagull presents the bare minimum of what theatre can be: a group of …
Michael Morpugo’s stories about the world wars have for a long time been the gold-standard for children’s books.
If schools want a ‘Keeping Yourself Safe’ presentation on incel culture, then they won’t have to look further than Sam Went’s Red Pill.
Provocative, crude and iconic, Fat Rascal Theatre’s production of Unfortunate is nothing short of a showstopper.
‘The play is memory’.
William Shakespeare’s Much Ado About Nothing, tucked away under the arches of Waterloo at the Network Theatre, is an incredibly feminist play.
A quintessentially London musical by Craig Adams and Ian Watson, with new arrangements by Sam Young, Dean Johnson’s Lift at the Southwark Playhouse is a complex musical experien…
Julie Atherton’s production of Ordinary Days at the Cockpit is a work of art.
One of the best things about theatre, and art in general, is the space it creates for difficult conversations and analysis.
An odd combination of nostalgia and existentialism, American Idiot continues to remain incredibly current.
Most of us will be familiar with Arthur Miller’s character Abigail; the seductress who caught John Proctor’s eye and led a group of girls that sent innocent women to their demi…
If we ever needed more proof as to why second wave or white feminism should no longer be considered relevant, here it is.
There are a few infinite things in the universe: greed, love and the elite’s ability and desire to protect the status quo.
Having a gun - albeit a fake one - pointed at my face has never been at the top of my list of fears.
Modern opera is difficult to execute well, because no matter how good it is it will always be judged against the classics.
Considering how much Anyone Can Whistle flopped in 1964, it is a bold, brave (and some may say hubristic) move on the part of Grey Area Theatre Company to revive the show at the So…
High energy, fun and witty, The Bean Spillers’ Improvised Musical showcases a wide range of talent, musical knowledge and general mischief.
After years of turmoil caused by politics and pandemic, nostalgia is exactly what Doc ordered.
Homecoming is the word that comes to mind when watching this musical.
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