After a superb sold-out run in 2017, Apphia Campbell returned to this year's Edinburgh Fringe for one week only.
Pechorin is a superfluous man.
Void is really intense, in the best possible way.
As a reviewer I'm fortunate enough to get free tickets to many shows.
It's what Dan Simpson would want.
I was curious about IRL.
A woman stands downstage right, a spotlight illuminating her from one side.
Our eyes locked.
Barry promised he would "share [his] soul with you" at the start of the show, and golly, he really does.
The jig is up! Paul Williams is a quadruple threat – song, dance, comedy and opinion.
"If there are any reviewers in tonight, gimme four stars.
At the centre of its big, warm heart, The Sea Is Big Enough to Take It is a story about a non-activist boy and his activist mother, and by extension a story about all of us and our…
Familie Flöz are back with another beautiful, gentle and poignant piece of physical theatre.
Dangerous Giant Animals is a one-person show about growing up with a disabled sibling, based on writer/performer Christina Murdock's real life experiences.
Luke Rollason is a silly man who made me cry with laughter today.
There are going to be two kinds of people who read this review: fans of Paul Foot, and people who are curious about Paul Foot.
Stuart Bowden has been doing this for a long time.
The back room at Dragonfly is unassuming.
Go and see this show right now.
I was transfixed.
I was excited about Flies.
Great theatre often takes deeply personal experiences and weaves them together into stories and sequences that tap into a universality and profundity that the experiences alone wou…
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