Set on an ancient burial ground where the UK is now a crime scene, Refugee! tells the story of four characters in search of belonging.
Fortune Bistro offers a tantalising exploration of human/AI relationships and cultural dichotomies within the intimate ambiance of a blind-dating event.
What happens when you put Shakespeare’s work through Google Translate 15 times? By deconstructing language, we can examine how we interpret classical text in the 21st century, wh…
In this summer, a story shall journey from China to the UK, from East to West.
Two killers.
A waiter pours a glass of wine for a restaurant customer.
Park yourself behind the counter and take stock during this heartfelt devised comedy.
Edward (never Ted) has delivered his talk on speed awareness 2,191 times over the last 10 years.
Hong Kong veteran community theatre company, Art Home, masquerade in handcrafted masks to confuse the definitions of what is a human and what is a dog.
Living.
Objects and spaces have memories.
A compelling, humorous and poignant play that explores the intimate and often complex relationship between girls and their shared experiences in the bathroom.
Come and join Turnip Fish Theatre Company in their Edinburgh Fringe debut! A story about the unlikely friendship of next-door neighbours, Agatha and Cassandra.
The show is an intelligent, serious meditation on the most serious of subjects: the climate crisis.
Holy monster by Atrix Cragnotti.
Hear the incredible real-life stories of Marvin, and others who have faced challenges and turned their lives around.
When that I was but a little tiny dot, I would sit with my grandfather and solemnly play both the Owl and the Pussycat whilst he transformed into a pig, a turkey and a runcible spo…
When there is no one left but a handful of the human race, what keeps them going? Are we hardwired to self-destruct or can we find something that unites us all to survive and thriv…
‘Modern dance isn’t anything except one thing in my mind: the freedom of women in America.
The Traditions Of Audience Anonymous: We admitted we were powerless over what we found funny – that our lives had become ridiculous.
Indulge in the ultimate comedic cult experience! Trevor Lock, renegade cult member turned critically-acclaimed comic, invites you to join a cult (for an hour), whether you aspire t…
Inspired by encounters with people on the margins of society, the performance dissects trauma and revival, pain and transformation.
Searching for his beloved Alice in a race against time, Hatter leaves home.
Alone in his miserable bedsit in a busy, bustling metropolis, Dante’s only companion is a house robot named She-bot.
Get ready for high-school drama like never before! Watch students tackle the story of Artemis and Apollo with hilarious creativity.
Back for its sixth Edinburgh Fringe under choreographer Brian Feigenbaum (‘Exquisite.
Want to know who murdered my theatre company? Me.
In 2022 a show was cancelled while it was still in rehearsal.
The water you drink has been drunk before.
Does your coffee order reveal your personality? Is it possible to “have it all”? In this lighthearted historical fiction, several women who helped shape the future of Erie, Pennsyl…
Award-winning playwright Shaun Prendergast’s play Two Mums tells the story of Lucinda.
Mosinee, Wisconsin, 1950.
On the day The Female Eunuch is issued in America, a transgender woman in flapping draperies rushes up to Germaine Greer and says: thank you - thank you so much for all you’ve done…
A new solo performance by Funny Women finalist Natalie Bellingham using comedy, storytelling, movement and interaction to celebrate being human in all its banality, sprinkled with …
Sweet Beef Theatre Collective’s Crying Shame promises to make us forget about our loneliness, as it welcomes us to ‘Club Fragilé’; a haven for washed-up cabaret acts cloakin…
Cluster is a new compilation of work.
Prepare for an extraordinary show as Haus of Gallus combines impeccable journalism with cutting-edge production techniques.
On stage is a small sound booth; inside sits a woman, alone.
Klouns Theatre Company presents an intimate clowning escapade in one act.
An Ice Thing to Say blends ice installation, music and physical theatre to explore our impact on nature.
Raw, messy, and honest, a show about what could happen if we were brave enough to grieve in the open and without the expectation of healing.
A contemporary adaptation of Voltaire’s Candide, this devised ensemble work depicts the optimist’s journey from innocence to experience.
Purgatorio follows an ensemble of troubled spirits dancing to salvation in Club Purgatorio, a surrealist techno dreamscape.
Struggling to cope with the loss of their drummer, Happier Daze are desperate to make their first big break.
This original drama with music tells a story of finding hope in a world that can seem meaninglessly cruel.
Dancing engineers, moving mathematicians, kinetic explorations of the liberal arts and science.
Life is a complicated mess where nothing is as cut and dry as it might appear.
Six strangers.
Anonymous rhino: ‘I see you, ham sandwich.
Still Life: A Gallery in Motion is a devised physical-theatre dance piece brought to you by The Canyon Collective of West Texas A&M University.
Certain Death and Other Considerations is a poor execution of an interesting premise.
Contrasting pandemic situations portrayed in a colourful collage of scenes and characters, this is a one-of-a-kind experience to witness.
Rites of Passage, two stories connected with a search for identity and acceptance: a young black man living in the UK, dealing with the daily cultural, and social political issues …
Quirky and creative Polly is on the brink of a life-changing moment.
This award-winning production moves Anton Chekhov’s The Seagull to an American high school.
The Others is a piece of devised theatre based upon the struggles and experience of everyone who is on the outside.
Wrong Tree Theatre presents: Das Weben.
It’s just another day in the office when news that a colleague has been sexually assaulted reaches the boardroom.
The thrilling true story of Florence Waren, an intrepid Jewish resistance fighter and dazzling showgirl leading a perilous double life in WW2.
A karaoke bar.
Who were the Vikings? Where did they come from? And most importantly.
Multi award-winning Ad Infinitum (Odyssey, Translunar Paradise, Ballad of the Burning Star) returns with a breathtaking retelling of the Trojan War.
This is how theatre should be.
***** It’s brilliant, dynamic, explosive! (UngtTeaterblod.
CHOO CHOO! (Or.
Stuntman is a high-action piece of physical theatre mixed with reflective storytelling and real heart.
1992.
Temper Theatre’s Home is an environmental displacement, family and imagination.
Elizabeth Holmes claims her biotechnology will revolutionize medicine – and people believe her.
Thomas Farriner (the one who burnt London to a crisp in 1666?) is a fantastic (albeit dead) baker, and we have resurrected him.
‘How can such a pure feeling emerge from an actor’s body?’ (Franco Acquaviva, Sipario.
When a struggling actor can’t pay rent, she signs herself and her roommate (she won’t mind) up for a fun robot friend in order to receive a big paycheck.
The Changeling Girl explores experiences of neurodivergency through the captivating story of Agnes, an autistic girl living in medieval England accused of being a fairy changeling.
Should I shave off my beard, and grow a pencil-thin, rock-style goatee? Is it OK to fall asleep in a bin, if it’s comfortable? What would you do if I died? In the midst of all the …
Does the human race crave love or hate? Technology has moulded the relationships of the 21st century – perhaps it’s time to look back in order to move forward.
Kat is a woman (has been for quite a while now).
Blood Red Lines was developed with and performed by victims and survivors of the tragedies of South Armagh, border counties and Dublin in the darkest days of the Irish Conflict.
I never felt unwelcome at the Fringe until this performance.
NYT return with a magical portmanteau production of love, friendship and forgotten messages that connect people across warzones and Christmas wish lists in a collection of heart-wa…
Sockpuppet is a new play about deepfakes: the ever-so-slightly scary technological phenomenon where anyone can pretend to be anyone else.
Stepsisters have never been portrayed well in fairy tales, so how can real-life stepsisters be expected to get along? Robin and Jessie suddenly find themselves sharing a new home a…
Music.
Long before Private Eye, Charlie Hebdo, and even before Bill Bailey – there was Voltaire.
The Great British Detective tradition! Holmes and Watson meet Poirot and Miss Marple (alongside the usual suspects) in a spoof homage – who murdered Lady Fanshawe!? Why have the …
Let Them Eat Cake! Through the lens of one of history’s most eminent, enigmatic females, Let Them Eat Cake explores Marie Antoinette’s relationship with the public, with the pr…
Let’s talk about sex, maybe? Or, maybe not? After having radically different experiences with Sex Ed, Lindsay and Lea try to figure out exactly what they were supposed to learn, …
Step aside HG Wells, take a break Jeff Wayne, back to your trailer Tom Cruise, Lamphouse is tackling War of the Worlds and they’re doing it.
The sparkling eyes.
In the attempt to create an absurd enigmatic clown performance, and in search for meaning and connection, a company of artists end up in Tokyo’s Museum of Lost Things, where nothin…
After years of patching up a rapidly deteriorating airport on an island lost in a Foie Gras scandal, Lick is staring down the propeller of a cargo plane.
I was living my “best life” when a complication during routine surgery left me unable to walk or think for years.
Silhouettes of the past give form to the present in this verbatim, devised production of true-life stories.
Tin cans and string, pizza boxes pilling up, paper aeroplane and love notes.
Daffodil has seen it all before.
Come Sit on the Couch With Me: is this a therapy couch or a casting couch, and is there a difference? The show is a cocktail of a comical – but true – look at communication in …
Winner of Underbelly, New Diorama and Methuen Drama’s hit-making Untapped Award 2022.
‘What if it was you, you were the last individual of the species, The Endling?’ Visually beautiful and laugh-out-loud funny, Strange Futures use their ‘powerful physicality’ (Scots…
How do individuals react to the same event? To what extent does your life, your mistakes, your hopes and dreams, affect your perception of reality? And do you need a bath to publis…
A debut solo comedy hour from the legs behind the sell-out hit show Legs.
LET Award 2019 winners and 5-star devised company presents a true tale of excitement, danger and claws.
If Samuel Beckett is celebrated for the changing attitudes his work brought to ‘traditional’ theatre, then why do we insist on keeping his work preserved like an artefact, guar…
A joyful, kaleidoscopic new show for 5 to 12 year-olds about change, why change happens and how to deal with it.
In Vegas, a magician performs a final disappearing act.
Amit Patel discovered a secret hidden our data that made Google $1.
Described as a ‘wonderfully chaotic and colourful tragicomedy’ Theatre-19 Presents: John is a particularly silly devised piece at theSpace@Surgeons Hall from a group of Bristol…
Puppetry, shadow theatre, mime and music all contribute to this charming oddity, which Caravan Theatre do indeed perform in a caravan.
Dressed is an intensely personal and moving account of Lydia Higginson's journey through the trauma of being stripped and assaulted at gun point.
If only beheading an enemy was the way to solve problems in the modern world.
Alyona Ageeva’s Physical Theatre PosleSlov return to the Edinburgh Festival Fringe for the third year with a piece that feels very much like a direct sequel to last year’s Sky …
Dear Mother Moon is one of four works presented by CalArts this year in what has become the Institute’s Edinburgh home, Venue 13.
Self Check is a play about identity, tracking the stories of four teens in group therapy at a psychiatric hospital.
The International Union for the Conservation of Nature has, for many years, produced and maintained a “Red List” of species which are either already extinct or in danger of bei…
There is something deeply human and inherently charming about imperfect dance.
With its eclectic composition of scenes, monologues, choreography and voice-over, Landscape (1989) is a genuinely intriguing production full of interesting elements – although th…
You are watching three actors sat at a table.
As recently as the early 20th century it was not uncommon for women to be medically diagnosed with “hysteria”.
It’s fifty years since the Stonewall riots sparked off the movement that became known as gay liberation.
Witch is an old word.
YesYesNoNo are searching for the truth.
A tale of love, loss and exploration, this is an intrepid exploration of physical theatre and storytelling.
It’s 1999, soon to be 2000, and two sisters are wandering the woods of the Bournemouth area after fleeing a party.
We’re told that ‘Max needs a firm hand’, as the performance launches with three actors clad in balaclavas.
Hold On Let Go sets out to address memory loss and forgetting on both a personal and political scale, asking the question: 'What if we forget something important?' Despite …
Jericho is a show about internet journalism, liberal hot takes, and professional wrestling, which is to say that it's managed to be about a lot of my niche interests.
Sh!t Theatre’s sell out show from last year returns for a limited run at Summerhall, in what is perhaps the most bizarre, strange and utterly hysterical hours of performance art …
Anorexia takes centre stage in this emotional piece devised by eating disorder sufferers and survivors.
The first point to make clear is that My Name is Dorothy has nothing to do with The Wizard of Oz.
For most of us, our clothes are a major part of our identity.
This was one of the most remarkable striking and uncomfortable productions that I have seen in a long time.
Millennial anxieties are unpacked and explored in devised comedy I’ll Have What She’s Having.
What does the transcript of a 17th century Italian rape trial reveal about the state of the world nowadays? That, despite 400 years of supposed social progress, the impulse to blam…
As you arrive in the space, the audience is serenaded by a cacophony of sounds which are not precisely music (this is a theme that will become repeated throughout the hour), and on…
There are shades of Beckett but without the plodding pretentiousness in Signals, Footprint Theatre’s new show all about human connection and the search for life beyond Earth.
Feed is a thought-provoking and memorable piece by Theatre Témoin that explores the insidious relationship between the Internet and capitalism.
People Show have been producing work for more than 50 years which, given the self-indulgence of People Show 130 (or The Last Straw, to give its more Fringe-friendly title), is some…
Propeller is a play which relates a small town’s struggle to reinstate a railway line, in order to make a much wider statement on the merits and masquerade of social action.
Have you ever wondered what it would be like if figures from Greek myth were around today? Well, Zoo Co Theatre Company have got you covered.
There’s a lot going on in the world at the moment, isn’t there? So many stories needing to be told, so many national myths being rewritten, so much is constantly changing that …
This Victoriana adaptation of a gothic adaptation of a children’s fairy tale figure is not exactly breaking new ground.
Hanane Hajj Ali is a Lebanese performer with French citizenship who jogs daily to prevent osteoporosis, depression and obesity.
The central aim of Celebration is “to give anyone who can’t quite believe the world they live in something to believe in” which is a brilliant intention and starting point but …
I like improv as much as anyone, but part of what makes improv work as well as it does is the spontaneity of it all.
Barrel Organ’s new show Anyone’s Guess How We Got Here feels like a natural development of the company’s practice and philosophy whilst also managing to delve into a very dif…
Premiered in 1901 in Moscow, The Three Sisters by Chekhov is a play perhaps surprisingly easy to adapt to many different circumstances, as it speaks about characters’ dreams for …
Demise was its own demise.
Antler Theatre are no strangers to the Edinburgh Fringe, making their debut with This Way Up and Maria, 1968 in 2012.
This August, Durham-based Wrong Tree Theatre are bringing three shows to Edinburgh; currently on offer is Souvenirs, a light-hearted adventure that draws on the heavy use of props,…
Think is a powerful piece of new writing from Evangeline Osbon, recent graduate from the Academy of Live and Recorded Arts, in collaboration with MindOut Theatre.
In a tiny stage at the back of Summerhall, The Letter Room, in association with Northern Stage in Edinburgh, brings a feet stomping, hand clapping, spirit raising show to the fring…
Cognitions was confessional, poetic physical theatre.
The Crossing Place – Romantika has an absurdly joyous opening, which is unexpected considering that the show is marketed as a study of loneliness, anxiety and desire.
In their new drama, Walls and Bridges, Acting Coach Scotland delves into the themes of home and belonging through a dystopian Scotland in 2035.
Those of a certain age will remember the heart bruising joy of creating a mix tape for a loved one.
Grace Gibson parades awkwardly across the stage in her brightly coloured leotards, she is about to share with us her experience of public failure, inviting us to revel in that mome…
Frogman is an oceanic coming-of-age drama split between two time frames.
Hyperthymesia is a mixture of physical theatre and emotional monologues that certainly wasn’t a show that had the audience jumping onto their feet in appreciation.
Temper Theatre once again return to Edinburgh to gift audiences with a performance well worth three times the ticket price.
If you’re in search of the next big thing this Fringe, look no further.
Three aliens from Mars, fascinated by all things Earthly.
An eclectic and beautiful production – Secret Life of Humans combines a baffling diversity of genres into a single theatrical masterpiece.
DIGS, devised by newly formed company Theatre with Legs, offers insight into how the millennials of ‘Generation Rent’ think about community and belonging.
When a Fringe show sells out on opening night, you know it’s doing something right.
The Wardrobe Ensemble returns to the Fringe festival with a fast-paced and incredibly entertaining look at the education system in BritainThe play focuses on the last day of school…
Form is a wordless physical tragicomedy about escaping the pressures and boredoms of contemporary life, if only momentarily.
Gutted is a one-woman, solo show about IBD.
A problem that a lot of shows face is an inability to commit to tone, or to perform in agreement with the tone that the show sets forth.
Joanne McNally’s hour long confessional Bite Me switches between fairly light comedy and truly despairing tragedy as she opens up about her struggles with bulimia.
In her opus Regarding the Pain of Others, Susan Sontag explores the ways in which images of conflict can be altered for the benefit of a particular social cause or political group.
Chinese physical theatre influenced by Shakespeare’s A Midsummer Night’s Dream and the contemporary Tang Xianzu’s The Peony Pavilion.
Patch of Blue’s production of When We Ran is very much a case of style over substance, substituting complexity for clarity and failing to achieve its ambitious aims.
Pets come in many forms.
A chair, a poetry book, a man, and a bottle of water to wet his whistle – other than these there is no set and the stage is bare.
This cosy story follows the adventures of Ingo, a dog on a mission to make his owners proud.
GIANT follows the never-ending, whirlwind of generations in protagonist, Tommy’s family.
A theatre company taking a reimagining of Shakespeare to a Fringe festival is like your Nan getting tipsy at Christmas.
On an epic adventure to halt ageing in its tracks, writers and performers Abigail Dooley and Emma Edwards swim the sea of apology, march the bridge of tears and conquer the dark de…
In 1987, celebrated BBC weather forecaster Michael Fish stood up on national television and shrugged off reports of an oncoming hurricane.
Have our relationships become a product of a social media obsessed generation? Dating in the 21st century is constantly changing and not necessarily for the better.
Apparently, one of the men involved in the Great Train Robbery of 1963 resides in Hove - but this story isn’t about him, instead it’s about the women behind the heist, the ones…
Meet Megan and Sophie.
Terriane Falcome offers a tour de force of writing and comedy, playing at the Theatre Box this Brighton Fringe.
The Forecast is an engaging and informative piece of political theatre.
If you’re a budding ecologist who also has a love of physical theatre, Terabac is the show for you.
Amid the abundance of hard hitting and harrowing new work presented at the Fringe, one could be forgiven for wondering why we’re all taking ourselves so seriously.
There is more to life than happiness, right? A not-so-perfect guide to happiness is explored in this one-woman show, written and performed by Yvette May who, after finding hersel…
Spill: A Verbatim Show About Sex is the sex-ed class we all wish we’d had.
Growing Pains Theatre Company offers its Edinburgh debut, a confessional piece of drama exploring the fraught path from adolescence to adulthood.
In Edinburgh as members of Group 64, the cast of The Age of (Distr)action are an inclusive young people’s theatre company from Putney who have created, written and performed this…
iDolls aims to explore the dynamics between social media and feminism by combining various forms of theatre, dance and spoken word.
For many people unaffected by it, the debt crisis in Greece is a distant, vaguely distressing situation, failing to provoke public outcry due to a misapprehension that it is someho…
“If I’m feminine, does that mean I’m effeminate? Or if I’m effeminate, does that mean I’m feminine?”Looking at the nature of what it means to female in this modern worl…
New company Bellyfeelhave collaborated with Crisis, a charity for the homeless,to develop a series of monologues that illustrate the tough and varied experiences of those living wi…
Suppose, just suppose, that your mind and body lived separately from each other.
Caught between the youthful conviction that just because you can’t see something it doesn’t mean it isn’t real and a growing realisation that “nothing’s easy to understan…
There’s something wonderfully uncluttered and unpretentious about this particular wander down literary lane from the Mercators, one of Edinburgh’s oldest amateur drama clubs.
Let’s just appreciate that title for a moment.
Connections missed and made are set in motion in this playful, algorithmically-generated piece exploring love and chance from young company Poltergeist Theatre.
In an hour that mixes spoken word and storytelling, Zöe Murtagh explores the symptoms and stigmas faced by anxiety sufferers in a show co-written with Victoria Copeland.
Plain as Paper is an energetic physical theatre show centred around where our imaginations can take us using only paper—though what is going on there and why is not always plain.
The Hours Before We Wake presents us with a world where you can customise your dreams and upload them to DreamShare when you wake up.
A documentary style piece of storytelling which merges fact and fiction, past and present in an interesting tale, that sadly fails to curdle the blood.
Pussyfooting is a project that has been evolving over the course of a year, and, presumably, could continue to go on evolving with its bright new company from Oxford University: Kn…
Lines is a touching spoken word show surrounding the diverse lives of people travelling along the London underground.
Through innovative movement and a thought-provoking script, Clown Funeral’s dark yet comedic The Murderer comments intelligently on society’s inability to forgive and forget, by …
Your best friend from school has been arrested for having a collection of child pornography on his laptop.
Ash is a devised piece by a group of Lecoq-trained graduates about the nicotine addiction of a Yorkshireman and his friends and family.
“So tell me what you want, what you really, really want.
Antoine de Saint-Exupéry was a French pilot, poet and writer, who is best known as the author of children’s classic The Little Prince.
Set in 2057, a time not too far away from our own, The Mission charts the selection and preparation for an unprecedented space exploration by an unremarkable and apparently run-of-…
‘It’s a bit weird when I talk to you, eh?’ says Tim Carlsen’s Moko, the vulnerable and homeless protagonist of this curious one-man-show from New Zealand.
Being both a chronic worrier and a huge fan of television from the 1990s, I had high hopes for Don’t Panic! It’s Challenge Anneka: a one woman show that uses the programme, Challen…
Goggles is a simple, quirky and deeply endearing devised piece in which comedy double-act ThisEgg explore the complexities of love and friendship through that most profoundly alleg…
There comes a time in most good plays when you realise you’ve become completely lost in a moment due to its sheer brilliance.
A surprisingly moving hour of theatre, Something Borrowed deals with the struggles of a 21st-century, 20-something feminist trying to reconcile the desire for the perfect fairy tal…
What do you do when your mother is murdered for protesting corporate and governmental corruption? In the case of Milagros, you fight for the justice your mother was denied and see…
In its second year at the fringe, Police Cops is a spoof boys-in-blue parody along the lines of Police Squad.
The scene is Notre Dame.
It’s 1950 Vienna and two British spies are sent to kill a traitor.
This show started beautifully and retained its magic right until the very end.
With tight abs, even tighter moves and slick choreography, Police Cops runs at a pace that will make your head spin and is silly, fun and very entertaining.
Puppetry, poetry, dance and live music are interwoven in this splendid succession of stories from five zany friends.
Time is of the essence in this absolutely faultless performance from EntreprenHER Productions.
Mercedes, or ‘Merc’ as she calls herself, has just landed a new job working at a nightclub; a nightclub with a sexist and homophobic doorman -Kai Henderson-, a highly stung and…
An inconspicuous townhouse in Fiveways plays host to the promenade performance Dancing in the Dark.
The Marked follows Jack’s crusade against the haunting demons that follow his life living rough on the streets of London.
The basement of the Blue Man is a cosy Aladdin’s cave of a space, all cushions and tapestries and tasteful lighting.
This award-winning devised piece from Two Destination Language clearly deserves its second festival run.
NakedFeet Theatre’s Dust Never Settles in Torchlight is a short and sweet reimagining of a selection of Greek myths.
Barry is charming, flamboyant and has a very ornate vocabulary.
Bear Pit Theatre present a sweet show which narrates different generations’ experiences of when they were 17.
Wild at Heart is unapologetically weird.
With loose and dishevelled hair, streaks of cat-like make-up and bulging veins, the chorus prowls across the stage, furiously chanting lines adapted from fairy tales.
Before the lights go down and the show begins, a voiceover warns us to expect ‘scenes of extreme horror’ as this retelling of Edgar Allan Poe’s gothic tale begins.
I was slightly apprehensive when going to review Tribe, having seen a lot of pretentious, uninspiring, or just simply bad physical theatre and dance pieces this Fringe.
In this devised piece, the company from the University of Pennsylvania’s Theatre Arts Program set themselves an almighty challenge in terms of the subject matter they deal with (…
I shouldn’t have liked Austensibility.
Sketch Club 7 has six members.
Ursula K Le Guin, noted author of A Wizard of Earthsea, is visited by an alien adopting her form.
Going Viral, written and performed by Daniel Bye, follows an imaginary outbreak of a highly contagious weeping virus spreading across the world, by you.
Yet again CalArts pushes forward the frontiers of theatre with an extraordinary, fascinating and labyrinthine work.
Taking place in the greatest of British institutions — a chip shop — on election night, Open is a devised work by the student-run Nottingham New Theatre.
Bayou Blues is beautiful.
Key Change, directed by Laura Lindow, is devised by women in HMPYOI Low Newton and follows the stories of 4 female inmates.
This year is the 30th anniversary of the Battle of the Beanfield, a violent police intervention in which more than 500 travellers were arrested in a field on their way to a new-age…
It’s the early 20th Century, and dancing, drugs and violence are rife in London.
New writing and Shakespeare, dance and physical theatre, all accompanied by the evocative music of Laura Marling; Method in Madness is a truly mesmerising show.
American company The Pack bring their space-age feminist performance piece to the Fringe, but it seemed like getting their heads around it was a little out of the audience’s gras…
A charming, witty and engaging show, Writing is an exploration of just that - the process of writing, as seen from a child’s perspective.
Following The Wardrobe Ensemble’s previous creations, including the depicted opening of a Swedish furniture store (RIOT) and an account of the Chilean Mining Accident of 2010 (33…
The Dream Sequentialists is a show about dream goblins.
Clout Theatre prove themselves to be and provocative theatre makers in their new piece FEAST by challenging theatrical conventions as well as ignoring the age old advice not to pla…
Leftovers follows the story of a young woman Elizabeth and her tragic experiences of the break-out of war.
Ashley (Ellice Stevens) has just moved to a new town.
Who knew that a Dusty Springfield favourite could provide such an effective description of man’s descent into unspeakable evil? Ewan Downie and Jonathan Peck from Company of Wolv…
Pussy is nothing if not provocative.
StudioSpace Bristol didn’t set out to make great art - they just want to make you laugh.
In 1942, a girl traded some food for a Persian bear cub.
This devised two-hander attempts to confront the social stigma faced by those with mental illnesses.
Grounded is written, performed and directed by Linda McDade.
Written and performed by Noni Townshend, The Effects of Solitude unfolds with a disarming serenity.
Antler’s If I Were Me is a visual treat.
In 2013, 21-year-old Moritz Erhardt, an intern at an investment bank, was found dead in his London flat after working for 72 hours without any sleep.
Artistic Director of Gecko, Amit Lahav, revealed in conversation after this dynamic, forceful and moving performance that the initial stimulus for Institute had been an exploration…
For as long as there has been something as recognisable as a “young person” there have been works of fiction that bemoan the horrible aimlessness of a “lost generation”.
When life gives you lemons, sometimes you shouldn’t make lemonade.
“Did she fall or was she pushed?” posits the Mad Hatter (Annie Neat), as Three Mugs of Tea embark on their consumerist take on Alice in Wonderland.
Singular actor and writer of Clairvoyant, Bettine Mackenzie is funny.
Hypnotist Theatre have a story they wish to yell at you, loudly, while writhing in semi-darkness so we cannot actually see whose story it is.
This year, Squint presents Molly – a show investigating the mindset of a sociopath with eerie echoes of the things you might see in Charlie Brooker’s Black Mirror.
We’re all familiar with our society’s gender expectations – Barbie and Action Man, Yorkie Bars and Bic’s “for her” range.
Meet Ada Lovelace, the ‘poetical scientist’, and daughter of romantic poet Lord Byron.
Through a strong ensemble cast, this piece aims to expose the truth behind the juxtaposition of the stereotypical woman and the reality which every woman struggles to deal and cope…
When their estranged father dies, twins Nicky and Jake reunite to execute his will.
This is a story of Sarah, a lover of maps and trigonometry.
Edgar Allan Poe and Sigmund Freud, partners in crime, telling horror stories and picking them apart: it sounds like rich source material, but Mr Poe’s Legendarium doesn’t quite…