The Lucy Fennell Three Minute Interview

This Edinburgh Festival fringe you can join SmART Attack on a whimsical trip through 90s kids’ make and do TV shows! Grab your glitter glue, toilet roll tubes and PVA as they use retro craft to bring you something a bit different. We’re promised fast-paced character and sketch comedy with a heart. Lucy Fennell explains…

The worst but also best heckle I ever received was “I want to like you but I don’t understand what you’re doing!” which was a fair point I think.

“Last year I was improvising with Impromptu Shakespeare but this year I have co-written SmART Attack! with Rebecca Alloway. It’s a sketch and character show in celebration of the art and craft TV programmes we watched as kids; SmART, Art Attack, Bitsa and Fingertips were responsible for me driving my parents mad by hoarding weird shaped boxes, toilet roll tubes and an assortment of yoghurt pots. The show is silly, high energy and full of ridiculous puns, props and people.”

Why did you choose to perform as part of Laughing Horse?

“I have friends who have performed with Laughing Horse and have great things to say about it: the support, the great performance spaces and the ethos behind it. I really like how it gives performers the chance to put on a show they otherwise couldn’t do. I strongly believe that a free show doesn’t mean a compromise on quality that it should be treated with the professionalism of ticketed show; great images, props and costume. In addition to this laughing horse has so many cool venues and we get to perform in a yurt!”

Why did you get into performing comedy and how did you get started?

“I was tempted into comedy after going on a clowning course with Dr Brown (Phil Burgers). He just throws you on stage and says ‘be funny’ which of course means you fail lots and feel very stupid and humble. But he also teaches you to find the joy and comedy in failure and I suddenly felt very able to try out all the bizarre ideas I had discounted. I also study improvisation and although my show this year isn’t improvised I feel that improv skills help to keep it fresh and interactive and the clowning means I can respond to the audience rather than just chuck my ‘funny ideas’ at them. I really subscribe to the idea that we don’t automatically deserve to be on stage; we have to earn that right with each audience we play to.”

Tell us your best, worst experiences as a comedian.

“I did a stand up character act for a while in the guise of Carrie Ann Oddling (Pictured). I had some of my best moments with a banana down my leotard, standing on a chair and fanatically thrusting to the Blind Date theme tune. The worst but also best heckle I ever received was “I want to like you but I don’t understand what you’re doing!” which was a fair point I think. Sometimes it wasn’t funny but I certainly had everyone’s attention.”

If you were curating a stand up show for television, who would be your guests?

“It would be a bonanza! Adam Larter and the Weirdos gang, Issy Suttie, Sara Pascoe, Paul Foot, Mark Simmons, Chris Turner and all of Pappy’s too.“

Broadway Baby Listing and Edinburgh Fringe Box Office: http://www.broadwaybaby.com/shows/smart-attack/702697

Website: http://rsa663.wix.com/partyfortwo

Twitter: @APartyforTwo

Facebook: www.facebook.com/APartyforTwo

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this article has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now