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Interview: Writing to Harvey Keitel

As Brighton Fringe gears up for 2016, Broadway Baby offers an insight into the shows, the people and the world that is Brighton Fringe. We’ve been speaking to participants from around the Fringe and asked them to give us an insight into their shows.

Mid thirties stand up with GSOH seeks loving audience by the coast for laughs and maybe more.

Name Matt Green

Show Matt Green: Writing to Harvey Keitel

Tell us a bit about yourself

Mid thirties stand up with GSOH seeks loving audience by the coast for laughs and maybe more.

Can you tell us a little bit about your show, what can we expect?

Two years ago I spent a day in a car with Hollywood legend Harvey Keitel. Ever since then, people keep asking what he's like and I assume people must keep asking him what I'm like. So I decided to write to him...

Why did you decide to perform your show at Brighton Fringe?

I'm a big fan of Brighton Fringe - I've done at least 8 solo shows in Brighton over the last few years and have always found the venues and audiences to be really good fun. Plus, this year I'm doing a three night run so I'll have the chance to walk along the beach and explore the hilarious shops during the day.

What makes your show different?

This year my show features a projector and screen - that's not that unusual in itself - but I've got some images and clips to show from my life and Harvey's career that you won't have seen anywhere else. Plus, there are more jokes about an ageing Hollywood legend than you would normally expect in a festival comedy show.

Who would enjoy seeing your show?

Anyone who has heard of Harvey Keitel plus anyone who hasn't heard of Harvey Keitel but has heard of the concept of celebrity, adverts, obsession and enjoys really good jokes.

What has been the best advice you have been given?

Never imagine your audience naked. It's distracting and, more often than not, horrifying.

What show, apart from yours, would you recommend at the Brighton Fringe and why?

Katherine Ferns and Jenny Collier are both very good new stand ups and are doing shows when I'm in Brighton; so, I plan to check them out to see who'll be on TV in a couple of years.

What do you think audiences will enjoy the most about your show?

Just how much effort I've put into some very silly video editing.

Matt Green: Writing to Harvey Keitel is appearing at the Laughing Horse @ The Quadrant, 17-19 May 19:15

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this article has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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