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From banana peels to Bouffon: London Clown Festival 2025 is unmissable chaos

London Clown Festival is back for 2025 with its largest edition to date, promising a collision of physical comedy, theatrical innovation and unpredictable absurdity across two of the city’s key performance venues. Running from 16 June to 4 July, the festival returns to Soho Theatre and Jacksons Lane with a packed programme of contemporary clowning and physical theatre from both UK-based and international artists.

A rare chance to experience the unpredictable art of physical comedy in all its forms

This year’s programme builds on the festival’s reputation as a home for eclectic, genre-defying performances. Since its founding in 2016, the event has aimed to push the public perception of clowning far beyond red noses and slapstick. The 2025 edition continues this mission with a broad lineup of acts that experiment with form and embrace risk. The addition of physical theatre to the official programming signals a widening scope, reflecting the close ties between clown technique and broader movement-based performance.

Among the standout shows is The Weight of Shadow by Sasha Krohn, a wordless piece that fuses mime, dance and aerial work to portray a psychiatric patient’s internal tumult over the course of a single day. Our pals at Fringe Review described it as “a tormenting and beautiful portrayal of the human condition.” Also featured is Red Bastard, a master of the Bouffon tradition, whose confrontational performance style and audience interaction return to London for the first time in eight years.

Comedy meets cabaret in Otto & Astrid: The Stage Tour, a chaotic blend of Europop and punk energy from Berlin’s dysfunctional sibling band. Lachlan Werner, a ventriloquist known for his surreal stage presence, brings Wondertwunk, described in past Guardian coverage as a brilliantly strange blend of puppetry and physical comedy. Meanwhile, Dirty Work by Jessica Barton arrives fresh from Melbourne, combining song, dance and domestic grime in what the Australian Arts Review calls a “quadruple threat” debut.

The festival also continues to celebrate ensemble and cabaret formats. The Opening Cabaret kicks off the run at Soho Theatre on 16 June, offering a curated showcase of acts. A Night of Drama invites audiences to pelt a clown cast with banana peels during a live-directed period piece. The festival ends with Naughty Cabaret, a high-energy closing night featuring a queer feminist mix of clown, circus, music, burlesque and character comedy.

Performances span from early evening slots to late-night specials, with individual shows running around 60 minutes. Ticket prices range from £13 to £27, with full details and booking available at the festival’s official website.

London Clown Festival 2025 may be the most ambitious yet, not just in scale but in its invitation to rethink what clowning means today. From polished solo shows to anarchic cabarets, it offers a rare chance to experience the unpredictable art of physical comedy in all its forms. Just watch out for the flying peels.

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You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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