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Eurovision 2025: Who Will Snatch Victory Tonight?
  • By Gloria
  • |
  • 17th May 2025
  • |
  • World Tours

As the Eurovision final looms, 26 countries are prepping to unleash a riot of spectacle, sequins, and, let’s face it, some truly bizarre musical choices. But beneath the bluster, who’s really in with a shot of taking the crown? Let’s sort through the noise and pinpoint the true contenders - and the likely flops.

I regret to inform you that the UK is about to get brutally humbled yet again

The Obvious Winner: Sweden’s KAJ - Bara Bada Bastu. Sweden is the bookmakers’ favourite, and for good reason. The Finnish three-piece took their country’s qualification process by storm with a ridiculously catchy ode to saunas. It's absurd, it’s infectious, and it’s got the backing of Finland’s president - awkward, given that Finland has its own entry. Despite the novelty factor, this is the kind of kitschy-yet-polished performance that Eurovision voters love. Expect KAJ to steamroll their way to a top finish.

The Closest Rival: Austria’s JJ - Wasted Love. JJ has operatic chops that could break glass and a heartbreak anthem that’s ready-made for the Eurovision stage. The song’s similarity to last year’s winner might work against it - Eurovision voters are fickle about feeling like they’ve seen it all before. Still, JJ’s vocals are undeniable, and the performance could easily clinch a top-three finish.

Dark Horse: France’s Louane – Maman. The bookies have Louane as the third favourite, and it’s not hard to see why. France has been knocking on the Eurovision door for years, and Maman, a haunting ballad dedicated to Louane’s late mother, is as sentimental as it is beautifully delivered. If voters are in the mood for something heart-wrenching, France could surprise.

Underrated Gem: Luxembourg’s Laura Thorn - La Poupée Monte Le Son. Playful, catchy, and criminally overlooked, this bouncy track nods to Luxembourg’s 1965 Eurovision winner while reclaiming the narrative in a feminist twist. If there’s any justice in the world, Laura Thorn will be dancing her way into the top ten - but Eurovision voters are notorious for ignoring anything remotely clever.

Potential Disaster: United Kingdom’s Remember Monday - What The Hell Just Happened? I regret to inform you that the UK is about to get brutally humbled yet again. The song is a washed-out throwback to early-2010s party pop, but the world - and Eurovision - have moved on. Expect this one to crash and burn.

Wildcard: Albania’s Shkodra Elektronike – Zjerm. Previously seen as a frontrunner, Albania’s avant-garde chaos may have lost some steam in the final run-up. But if they can bring the same unpredictable energy they’ve been dishing out in rehearsals, they could still pull off an upset.

Tonight’s final is going to be a wild ride - but with Sweden’s sauna anthem heating up, it’s probably just a question of whether it’s Austria or France that warble into second place.

Since you’re here…

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Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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