In a two-night theatrical and musical blitz called Nights for Ukraine, Stone Wolf Productions is sending in a battalion of Ukrainian talent to remind us that, even in a war zone, art doesn’t retreat. It fights.
This isn’t just a show. It’s a cultural counteroffensive. A war cry draped in velvet, harmony, and grit.
At the vanguard is Kristin Milward, delivering an incendiary solo in The Trumpeter — a monologue forged in the steel-bending silence beneath the Azovstal bunkers of Mariupol. If that sentence doesn't chill your spine, her performance will. Penned by Ukrainian powerhouse Inna Goncharova and directed by exile auteur Vladimir Shcherban, this play has already racked up critical rapture across Europe. Think Beckett meets Bunker, with a trumpet score of human survival.
Sandwiched between this theatrical gut-punch and a rousing musical finale is a double-shot of fresh Ukrainian playwriting that dares to whisper sweetness in a time of shelling. Asia Pshenychna’s Life is Absurd But Love is Good and Kseniia Koziievska’s Christmas in the Shade are brought to life by British acting royalty Maureen Beattie and Matthew Zajac — lending gravitas to the Gen Z generation's war diary.
But don’t buckle up yet. The evenings close with music so hauntingly gorgeous it might just reassemble your soul. Enter Mariia Yaremak, pianist-composer-YouTube-sensation whose fantasy-infused Ukrainian folk riffs could make Rachmaninoff weep. Alongside her is Mariia Petrovska, the bandura-wielding siren with a voice like liquid crystal — performing songs shaped in trenches and sung into the ears of the world.
This isn’t just a show. It’s a cultural counteroffensive. A war cry draped in velvet, harmony, and grit. And at just £16.45 a ticket (if you’re quick), it’s also the best way to drop bombs on apathy. Nights for Ukraine is at Cockpit Theatre, London 7.30pm, Fri 23 & Sat 24 May.