This mesmerising adaptation of Stefan Zweig’s novella gives you no choice but to be completely immersed into a tiny room with a Nazi prisoner, as he attempts to cling to sanity u…
No crocodile tears are involved in this deeply moving one woman monologue; it is emotion in its purest, most innocent form.
This jump-cutting adaptation of Shelagh Stephenson’s drama following two generations of domestic abuse is a decent attempt at a school-level production.
Company of Rogues invites us into an intriguing, yet convoluted, tale of a time-travelling gent sent to redeem himself by saving a schizophrenic in 1980s Australia.
The Sugarhill Gang’s Rapper’s Delight prompts an evening of light-hearted, harmless, 80s-inspired fun.
It is often difficult to adapt such well-known, childhood tales into innovative experiences for an audience.
After an hour of a narcissistic one man show, we were left with the dilemma of whether to applaud the honesty of Sam, or be totally appalled by the stark exposure of his personalit…
Quilliam transported us into their world with this innovative, captivating, controversial performance which examined Islamic radicalisation in a series of complex twists and turns.
Threewoods Playwright took us on an underwhelming biographical journey with this short play about a young girl reliving her refugee grandmother’s memories of Hong Kong.
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