A cross between the mass appeal of Amy Schumer and the niche quirkiness of Jenna Marbles, Loren O’Brien is trying to work out her own identity.
Ed Gamble used to be a fat.
Transforum Theatre’s adaptation of Alice in Wonderland sets the Lewis Carroll classic in a mental hospital.
Meet Luke (the uptight one), Joshan (the cool one) and Archie (the third one) as they take you forth into a calamitous hour of high-energy skits.
“If you don’t laugh at the disabled guy, you are going to hell!” Lee Ridley begins, and immediately inspires unanimous laughter.
You don a white mask and read a list of instructions upon entering The Space at Jury’s Inn.
It’s a struggle to review Holly Burn.
The self-empowerment of interesting American women from history is a dramatic premise that instantly arrests your attention.
The beauty of a new play, from a new company, is that expectations are at rock bottom.
You are immediately struck by Alice Fraser’s triumphant gentility as she graces the stage.
Post-coitus: it’s that intimate moment of openness, where people say weird, wonderful and often brutally honest things.
Stephanie Laing is Chesney Hawkes’ number one fan.
Tania Edwards opens by criticising the elderly.
Alice Fraser’s kindness immediately hits you like a warm hug: as her audience filter in she’s chatting, pointing out the air conditioning (a small fan that she’s bought herse…
If Dan Willis is targeting the annoying Australian Uncle demographic with his show Australia: A Whinging Pom’s Guide, he’s got it completely spot on.
In this play, the North/South divide is a reality.
Tokyo Tapdoare a company of Japanese tap dancers, percussionists, circus artists.
You cannot criticise Rhys Nicholson for a lack of clarity.
The Beau Zeaux are impressive in their intensity.
Sketch Club 7 has six members.
‘I know why you’re here’, James Acaster begins, ‘for the celebrity gossip’.
According to Andrew Ryan, he is a failure.
It all begins with a suicide threat.
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