Critically acclaimed singer-songwriter Kim Edgar played to an appreciative and reverent audience at St Mark’s on Castle Terrace, during a set that featured songs from both of her…
A reliable vein of new talent since its inception in 1988, the So You Think You’re Funny? comedy awards have provided a steady stream of ingenious new acts.
Rannel Theatre’s breakthrough 2009 show Flhip Flhop is back in Edinburgh for a limited run and they’re as brilliant as ever.
If you thought that ‘Neighbours’ was about as mundane as Australian stereotypes got, then you were wrong.
Bringing together traditional Scottish folk songs, bluegrass and Americana, Ragged Glory present an hour of curated folk for a more discerning Fringe audience.
Folk stalwarts Yard of Ale are in residence at the Guildford Arms for the duration of the 18th Caledonian Folk and Blues Festival and they play with the confidence and verve of old…
With a formidable line-up and a jam-packed room in the Stand’s main auditorium, the Alternative Comedy Experience was always going to be one of the most promising comedy events i…
Generally speaking, stand-up showcases are the sorts of show that offer the worst of both worlds, since audiences have to either sit through some desperately unfunny jokes from sta…
Gareth Morinan likes his women the same way he likes his data: compatible with Microsoft Excel.
Early afternoon gigs are generally seen as low-profile, low-quality slots in the hierarchy of festival scheduling, but sometimes they can hide events that definitely shouldn’t be…
Many of my formative childhood memories involve the cinema – the first time I was taken to see Star Wars on the big screen, or watching an animated African savannah unfold in The…
Ever found yourself sat in the audience for a stand-up and thought: ‘This is all very well and good, but I don’t think they know much about physics’? If you’re the sort tha…
One of the saddest things you can see at the Fringe is a good act being ignored.
For many, a stand-up show themed around the worst moments of a performer’s life sounds like the least comedic thing imaginable, but Hannah Gadsby’s show is nothing if it is not…
Arguably one of Scotland’s finest comics, Susan Calman returns to the Stand with the air of a returning champion.
Mike Wozniak seems too nice to make a good job of murdering his mother-in-law, even though he seems to fantasize about it a hell of a lot during his show Take the Hit.
Sometimes, you’ll see a comedian so bad, so poor, so earth-shatteringly unfunny that you’ll ask yourself: is this supposed to happen? Fortunately for Jacob Edwards, it is part …
My only experience of the confessional comes from mafia films, but after The Maydays’ brilliantly funny afternoon show at the Underbelly, I might just start attending on a regula…
Part of the duty of a Fringe reviewer is to tell the entire world when they’ve found the worst act in the festival, so that the rest of the public can avoid it and save themselve…
In the saturated comedy-magician subgenre, it can be hard to stand out from the crowd, but Peter Antoniou’s show ‘Comedium’, blending Derren Brown-esque mind reading with a q…
Taking into account the sheer amount of posters and placards bearing Iain Stirling’s inquisitive countenance, one might expect that the quality of his show might prove to be simi…
Any show at the Fringe that has an audience carries an inherent risk – that said audience will contain drunks, crazy people or some slurred combination of both.
In this wild and raucous show, two comedians face off against each other with the aid of the audience.
Gavin Webster is on a mission.
Pattie Brewster is a normal girl desperately in need of three things: friends, cat food and a crash course in Microsoft PowerPoint.
Terry Alderton is the sort of comedian that will delight the more jaded comedy fans amongst this year’s Fringe crowd.
The world is out to get Garrett Millerick.
Most of us remember our early teenage years with a mixture of mortification and despair, but then again, most of us don’t have the ability to translate our stories into devilishl…
It’s a tough crowd to play to but Lucy Cox wins them around easily with her charming repertoire of comedy songs and savage black humour during her show Attractive Audience Requir…
After playing in support of her latest album for much of the last year, Kelly Kellner brought her show to the Fringe down at the Acoustic Music Centre at St Bride’s.
Last night saw some of Glasgow University’s funniest alumni return to their student union for a comedy showcase held in support of Stonewall.
Those looking for a bit of relief from the frenetic pace of the Festival can find it underground, in the idiosyncratic Jazz Bar on Chambers Street.
Musical comedy duo Horse and Louis attempt to take their brand of zany, self-aware songs to the next level, indulging in madcap special effects and a paranormal storyline for their…
After several sell-out Fringe shows and a run of worldwide appearances that have seen them tour almost continuously for the last four years, Dead Cat Bounce have honed their dysfun…
Kicking off their first gig together, Madge Wildfire put on a brave face and played through an admirably well-worked set.
Taking a break from their work in popular folk band Shee, Laura-Beth Salter and Rachel Newton present an hour-long set comprised of found songs, previous material and their new sol…
Whilst much of the Acoustic Music Centre’s programme for the Fringe involves folk and blues artists, Alba Brass provide a shot of variety into the arm of this venue.
Those looking for a dose of the unexpected, who enjoy wandering off the beaten track, will be delighted by Lach’s Antihoot.
In the press blurb for his show Middle-Aged, Useless and Talented Nick Hayman compares himself to Tommy Cooper and Norman Wisdom.
Kin is one of those rare, precious shows that could only ever be found at the Fringe.
Rising star Rosie Nimmo played an intimate gig in the Back Room of the Acoustic Music Centre, performing songs from both of her albums ‘Home’ and ‘Lazy and Mellow’.