Veteran comic Matt Green returns to the Camden Fringe with his new show Look Up.
Esther Manito, still a relatively fresh-face in the comedy scene, brings her new show #NotAllMen to the Camden Fringe.
New podcast to quench the thirst of musical theatre die-hards missing the in-person experience.
Finding myself once again at the Bridewell Theatre, home of amateur theatre group SEDOS, I know I am in for a treat.
John Hastings is back at the Fringe and has moved out of his regular haunt, the Pleasance Courtyard, to a more homely Monkey Barrel.
Debuting as a writer and director, TV’s Marcus Brigstocke – known for his comedy and occasional film roles – brings us The Red, a play informed by his own experience battling…
Somewhat new to the interactive theatre scene, and a little suspicious of what I would find, Adam Riches: The Beakington Town Hall Murders was an unexpected delight.
Sara Barron returns to the Fringe after a bumper year in 2018 where her show For Worse as nominated for Edinburgh Comedy Awards Best Newcommer.
Nath Valvo can really get a room worked up.
Google Me is the new offering from 2018 Fringe debut comedian Eleanor Colville.
A play for naval-gazing theatre goers everywhere, Mouthpiece delivers an impactful message about exploitation and appropriation.
Hootingly funny and devilishly clever, Fishbowl is a masterpiece of physical comedy.
Daughterhood by Charley Miles seeks to tell the story of two sisters separated by nine years of age and half a decade lived separately, coming back together to try and work out who…
Salmon hits you hard from the moment you step in the venue.
Always a source of top-quality musical theatre at the Fringe, The Royal Conservatoire of Scotland, brings us perhaps one of the best ways to spend a morning at Fringe.
Jayde Adams is back and this time it’s serious.
Returning to the Fringe for another year Thrones! The Musical Parody is exactly what it says on the tin.
Baby Wants Candy has become almost as much a staple of the Fringe as being slapped in the face with flyers on the Royal Mile.
A one-handed show about making a one-handed show might be becoming a little passé at the Fringe but there is at least one final offering you should devour before you write the gen…
Brett Johnson’s Poly-Theist is a charming and quirky peek into the world of polyamory.
Amateur company Sedos promise at the start of the show they have Magic To Do and boy do they deliver.
Nina Conti, now a household name from multiple television appearances, has done great trade tonight packing out London’s premier temporary fringe venue – The Underbelly at Sout…
The White Plague, presented by theatre company Ferodo Bridges’, is a lovely adaptation of a wonderful story but fails in delivery to live up to its promise.
John Hastings is back at the Fringe and this time he’s in love - for real.
A pure and exhilarating romp of a good time.
Nick Cody returns for his third year at the Fringe after successes with Beard Game Strong and Come Get Some.
Set in a stark environment of desks and bare lightbulbs, Silent Faces’ Follow Suit is a cutting parody of life in the corporate sector.
A play that will make you laugh, cringe and cry in equal measure, Poll Function is a masterstroke.
This is the show we’ve been waiting for.
The last stand in not-growing-up, Nath Valvo is holding the frontline for all those amongst us who are done shelling out for their brother’s baby monitor, done giving up every we…
LoveHard return to the Fringe after their award-winning 2016 show House On The Hill with a new comic offering that is literally the best of both the theatre and comedy worlds.
Shappi Khorsandi returns to the Fringe for 2017 with her new show Mistress & Misfit, a touching hour of comedy that weaves narratives from her own life and the story of Emma, Lady …
After a bumper month at the Fringe last year Jayde Adams comes to a new venue with her latest comedy offering Jayded.
This accomplished piece of theatre from Bristol Old Vic’s Theatre School is beautifully acted, wonderfully imaginative and excellently produced.
Showstopper! The Improvised Musical seems to have become synonymous with the Fringe; their billboards plastering every major walkway across Edinburgh.
Returning for yet another year at the Fringe Impromptu Shakespeare bring us a fun little romp of an hour, packed a plenty with witty one-liners and every Shakespearean trope under …
Deadpan Theatre return to the Fringe after their sell-out success Get Your Sh*t Together, premiered at the Fringe in 2015.
From the University of Southampton Gone Rogue theatre company bring Adam Gwon’s 2008 musical Ordinary Days to the Fringe.
James Wilson-Taylor has been discriminated against and enough is enough.
Paul McMullan’s debut fringe show is stuffed full of clever insights into the world of British drinking culture and its potentially destructive nature.
90s-kid’s television hero Dave Benson Phillips brings back his hit children’s game-show Get Your Own Back, but there’s a twist.
A flawless show from accomplished comedian Jayde Adams, 31 is a stunning blend of side-splitting comedy and heart-wrenching storytelling.
The Improv Musical from the University of Warwick return for their third stint at the Fringe, and while providing some light and silly entertainment, fails to land any punches eith…
In Paul Duncan McGarrity’s eighth show at the Fringe, Ask An Archaeologist, interesting and funny are blended to create a must see stand-up at the heart of the Free Fringe Festiv…
Tomorrow, Maybe – the newest offering from writing duo Amies & Clements – is a touching musical, set to an absolutely exquisite score which is brought to life with passion by b…
Unbelievably clever, deftly executed and outrageously funny, John Hasting returns once again to the Fringe with his new show Integrity.
Moving and funny, Maria Ferguson’s one-woman show, Fat Girls Don’t Dance, deals with issues relevant to today’s young women.
From Mountview London graduate’s company Some Riot Theatre, A Series of Unfortunate Breakups is a rollercoaster of storylines and emotions that impresses and moves in equal measu…
A triumphant come-back for sell-out performer Rebecca Perry.
Annie Siddon’s (almost) one-woman show, How (Not) To Live In Suburbia, is an absolute treat from Siddon’s first smile to the audience as she takes the stage, until she exits.
Wickedly naughty and deliciously dark, Kate’s dual talents as a comedian and singer/songwriter are ripe for consumption.
Jonny Pelham returns to the Fringe for his second year performing stand up at the Pleasance Courtyard.
If you have kids, take them to this show.
Ushered into our venue we’re greeted by our protagonist, Sean (Hugh Hughes), who gives us a warm handshake and a smile.
A good crack at absurdist sketch comedy, this piece from Australian company 7blue is good fun and at times bitingly clever, the puns and witticisms are nineteen to the dozen, but f…
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