This brave attempt at the musical by Jason Robert Brown renowned for being tricky by Straight Line Theatre company was not an inspiring first encounter with the show.
Three brothers with tent peg rifles, colander helmets and a French flag pose for a photograph.
Collision, a dance show that zips through the ages has an appreciation for a host of stylistic influences, and describes itself as an “unashamedly chaotic treat”.
Theatre Corsair opens its doors to a space that is transformed seamlessly into an apartment where the lives of three women collide in this site-specific performance of The Dead Mem…
Performer Rob Drummond demonstrates how to keep an audience entertained by actually doing very little yourself.
This multi-award winning show returns to the Fringe retelling a stream of real life stories from a handful of survivors of the 2009 Australian bush fires that claimed 173 lives.
A new play written by Lou May Miller, a modern take on Pedo Calderon’s ‘Life Is A Dream’ ,finds an early grave in this debut performance by Kudos.
Some of the most impressive shows to be found at the Fringe are by lone performers, and Kneehigh’s Tristan Sturrock treads this vein.
With a massively deceptive poster, I didn’t know what to expect from Wild West End.
This free Fringe space is unusually suited to Jessica Phillippi’s play, which is cleverly staged by Director Deborah Hannan.
This show is like watching a perverse episode of Come Dine with Me; except there is no food, no drink, everyone plays the role of host and guest, and without Dave Lamb’s sarcastic …
Tang-Shu Wing Theatre Studio get the audience on their side before they enter the auditorium, with many a joke bouncing around between adults navigating the corridors of Summerhall…
This production is intended as a Hitchcock-esque thriller, but even with strong storytelling techniques, the level of suspense is disappointing.
A bolshy Scottish schoolboy summed up the show very well immediately after the applause had died down and everyone was still in their seats: ‘I don’t get what the bit behind the …
If you are expecting dance, you’ll be sorely disappointed with Wendy Houstoun’s solo performance which only features a minimal portion of dancing in her experimental, left-wing…
Often heralded as the most prolific contemporary playwright, expect hot debates in response to Simon Stephens’ premiere of his coming of age play Morning.
A rather sad turn out for Taylor Glenn with immensely depleted audience numbers, it was certainly a lonely affair.
‘I never do half-hearted birthday messages on Facebook… I am not going to insult someone’s intelligence by pretending I remember it or that I actually wanted to see them!’ …