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Hannah and Hanna
- Review
- ★★★★
- Edinburgh Fringe
- Assembly George Square Studios
- 21st Aug, 2015
With current situation in Calais, the rise of UKIP, depressing rhetoric used by politicians to describe migrants, this play could not be staged at a more fitting time. Despite being written in 2000 and set in 1999, it is somewhat disheartening to see how little has really changed...
Tribe
- Review
- ★★★★★
- Edinburgh Fringe
- Zoo Southside
- 21st Aug, 2015
I was slightly apprehensive when going to review Tribe, having seen a lot of pretentious, uninspiring, or just simply bad physical theatre and dance pieces this Fringe. However Temper Theatre have produced a truly extraordinary show, which has been the highlight of this year’s festival for me so far...
Death and the Maiden
- Review
- ★
- Edinburgh Fringe
- The Royal Scots Club
- 16th Aug, 2015
Ariel Dorfman’s Death and the Maiden is one of my all time favourite plays; it is a beautifully written text, teeming with monologues many actors would dream to get their hands on...
The Year of The Hare
- Review
- ★★★
- Edinburgh Fringe
- Pleasance Dome
- 14th Aug, 2015
I would like to preface this review by saying that I think this production could be fantastic. With the right edits it really could be an incredible show - a weird one, but great. As it is, Aleksis Meaney’s production falls short of greatness, and is instead a bit of a bizarre mess...
Yerma
- Review
- ★★★★
- Edinburgh Fringe
- New Town Theatre
- 11th Aug, 2015
Amina Khayyam’s Yerma is a beautiful rendition of Federico Garcia Lorca’s classic text. Khayyam, accompanied by Jane Chan and Lucy Teed, use a form of Indian classical dance known as Kathak to tell the story of Yerma, a childless woman living in rural Spain in the early 20th Century...
Clown Macbeth
- Review
- ★★★★
- Edinburgh Fringe
- C venues - C
- 11th Aug, 2015
Makoto Inoue’s non-verbal take on Shakespeare’s classic Macbeth is undoubtedly a feat. Inoue performs the piece alongside Riko Sugama, telling a condensed, 50 minute version of the tale...
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