Articles by Marthe de Ferrer

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Hannah and Hanna

Hannah and Hanna

With current situation in Calais, the rise of UKIP, depressing rhetoric used by politicians to describe migrants, this play could not be staged at a more fitting time. Despite being written in 2000 and set in 1999, it is somewhat disheartening to see how little has really changed... 

Tribe

Tribe

I was slightly apprehensive when going to review Tribe, having seen a lot of pretentious, uninspiring, or just simply bad physical theatre and dance pieces this Fringe. However Temper Theatre have produced a truly extraordinary show, which has been the highlight of this year’s festival for me so far... 

Death and the Maiden

Death and the Maiden

Ariel Dorfman’s Death and the Maiden is one of my all time favourite plays; it is a beautifully written text, teeming with monologues many actors would dream to get their hands on... 

The Year of The Hare

The Year of The Hare

I would like to preface this review by saying that I think this production could be fantastic. With the right edits it really could be an incredible show - a weird one, but great. As it is, Aleksis Meaney’s production falls short of greatness, and is instead a bit of a bizarre mess... 

Yerma

Yerma

Amina Khayyam’s Yerma is a beautiful rendition of Federico Garcia Lorca’s classic text. Khayyam, accompanied by Jane Chan and Lucy Teed, use a form of Indian classical dance known as Kathak to tell the story of Yerma, a childless woman living in rural Spain in the early 20th Century... 

Clown Macbeth

Clown Macbeth

Makoto Inoue’s non-verbal take on Shakespeare’s classic Macbeth is undoubtedly a feat. Inoue performs the piece alongside Riko Sugama, telling a condensed, 50 minute version of the tale... 

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