Sometimes a little simplicity can go a long way in the theatre, and in this case, the title of this piece about the life of composer and performer Ivor Novello is very apt, as it r…
John Godber’s fluid exploration of British society, drinking culture and nightlife in the 1980s is a fast-paced romp through fragments of characters’ lives, from upper-class ch…
In this new musical, a piece which has flashes of The Picture of Dorian Gray crossed with psycho-dramatic elements of an Edgar Allen Poe ballad, a story of clandestine love, beauty…
Caryl Churchill’s 2002 play about the ethics of genetic cloning and an extension of the well-worn ‘nature versus nurture’ debate is a challenging text for actors.
Casting one’s mind over the great theatrical titles of our time, there are very few which can compete with the concept suggested by the name of this play by Tale Gate Theatre.
In this one-performer play by writer Donald Smith, actor Robin Thomson plays King James – at once James VI of Scotland and James I of England.
Ambitious in its intentions, At War With Love uses a selection of thirty-two of William Shakespeare’s sonnets to form a narrative set against the backdrop of the First World War.
A twelve-year-old girl writes a poem.
“Who’s afraid of the big, bad wolf?”Such is the musical refrain setting the playful, yet pervasively sinister, tone which permeates this piece from the outset.
It is a story well-known to millions, made all the more poignant and absorbing for its absolute authenticity.
The stellar reputation of Paines Plough’s championing of new writing for the theatre means that each new offering is welcomed with a great deal of anticipation.
Samuel Taylor Coleridge’s Romantic poem The Rime of the Ancient Mariner already exists as a work of enviable length.
An expansive stage space is dominated by assorted wooden furniture, with some pieces decked out in opulent reds and golds.
Seemingly at the end of his tether, a teacher sits, tie loose, marking work, clearly frustrated to say the least.
Jane Austen’s satirical novel, itself a pastiche of recognisable and well-worn tropes of the Gothic literary genre, is here given new life by company Box Tale Soup, consisting of…
The Edinburgh Fringe has recently seen a surge in theatrical adaptations of Nikolai Gogol’s short story Diary of a Madman.
The set-up is simple: an armchair, a side-table, and a teapot, cup, and saucer.
The setting is intimate, and encroaching on the personal space of a frail man, in a battered armchair listening to the television (news of the Gulf War is on – the year is 1991) …
As cryptic as the title of this show may seem to be, its basic premise is established very early on.
In the latest theatrical offering of a Jane Austen themed adaptation, this piece, which is billed as a new musical by Penny Ashton, interweaves thirty-three direct passages from Au…
Emerging in a Grecian breastplate of gold, to a poetic backdrop of Wilfred Owen’s Dulce et Decorum Est the stage is seemingly set for the presentation of a man whose view of hims…
The title song, by Cole Porter, makes an appearance part way through the second half of this narrativised collection of numbers, and really speaks of the character’s ultimate sta…
In a dystopian London, in which the unseen outside world is ravaged by violence, drugs and fear, Mercury Fur focuses upon the relationship between two brothers and depicts, in char…
George Orwell once wrote a fairy tale in order to avoid accusations of criticising reality.
Having previously seen an outstanding Georgian language version of George Orwell’s Animal Farm by the Tumanisvili Film Actors Theatre at the Edinburgh Fringe Festival in 2014, in…
The female object of Beethoven’s widely known composition for solo piano is unknown, though in this devised production by the York Drama Soc, she is given form and identity as th…
“You come in like a lion and you leave like a lamb”.
‘What does it mean to be a human?’Voiced explicitly at one moment during this equal parts captivating, inviting and horrifying production, the question of the very nature of hu…
Set in 2057, a time not too far away from our own, The Mission charts the selection and preparation for an unprecedented space exploration by an unremarkable and apparently run-of-…
On every front, this show is a winner.
This young company from The Theatre School in Tunbridge Wells, Kent brings an array of engaging, emotional, and believable performances to Dennis Kelly’s gritty play.
Mark Ravenhill’s play uses the metaphor of two brothers – twins – to represent the former partitioning of Germany into East and West during the time of the Berlin wall.
For many people today, their impression of Albert Einstein is quite possibly informed by the oft-seen image of his face: tongue sticking out – to all intents and purposes every b…
Welcome to the Edinburgh Spiritual Emergency Support Group.
First things first, a notable mention must be awarded to the sterling efforts of the two-piece band.
In this devised piece, the company from the University of Pennsylvania’s Theatre Arts Program set themselves an almighty challenge in terms of the subject matter they deal with (…
The challenge for any writer tackling the well-worn topic of WWII is to find a particular niche or angle which has not previously been given adequate treatment.
If ever there were a production which vociferously defends the ability of young people to make theatre with the impact of a professional standard (whatever that actually means) thi…
Is this a music concert? Is it a piece of theatre? Can it be both? Might it be neither? These are the questions that may well fly around your mind after experiencing The Great Down…
Ostensibly a community play, there can be little doubt that the impact of Letters to Aberlour will be most keenly felt by people from the area in which the play is set, and by thos…
As theatrical metaphors go, the equating of psychological ‘baggage’ to physical suitcases is one of the more straight-forward examples, yet that is not to decry the effectivene…
Following The Wardrobe Ensemble’s previous creations, including the depicted opening of a Swedish furniture store (RIOT) and an account of the Chilean Mining Accident of 2010 (33…
Nikolai Gogol’s short story, formed of a series of diary entries, charts the descent into madness of an ordinary civil servant, whose observations on the power-holders within his…
A new musical set at the beginning of the First World War.
Edgar Allen Poe’s seminal poem, which charts the gradual descent into madness of a heartbroken lover compounded by the incessant repetitions of a talking bird, gives its name and…
Phillip Aughey’s favourite composer is the great pianist Frédéric Chopin and, having been present at a number of recitals of his work last year, he has been motivated to create…
This piece of new writing from Ben Maier is the latest addition to the succession of plays at this year’s Fringe which in some way seek to deal with issues of mental health.
This is immersive theatre.
Billed as both musical theatre and performance art, the audience for Brigitte Aphrodite’s My Beautiful Black Dog, her autobiographical account of depression, is likely to bring v…
British Exist Theatre Company admit that they sometimes embrace challenging and provocative subjects.
Philip Ridley is often shocking, constantly provocative, and always thought-provoking.
Though Jane Austen is undoubtedly one of Britain’s most prominent literary names, Persuasion is perhaps her least widely read work.
It is not often that Howard Barker’s plays are produced in Britain (he is far more popular in Europe and America) in spite of his prodigious output and well-known name.
The absurdist mindset in The Empire Builders would suggest that any endeavour to find meaning in the play is inherently flawed, due to humanity’s inability to make sense of anyth…
Artistic Director of Gecko, Amit Lahav, revealed in conversation after this dynamic, forceful and moving performance that the initial stimulus for Institute had been an exploration…