The beginning of The Beginning does in fact begin before you realise it.
The Emma Packer Show is audaciously bad.
Hannah Nicklin is a remarkably unpretentious, simple, intelligent theatre-maker.
The Radicalisation of Bradley Manning does three things: it tells the story of Manning’s life; it calls into question the ethics of the army culture in which he found himself; an…
The Edinburgh Graduate Theatre Group’s Romeo and Juliet is just the sort of production that can give Shakespeare a bad name.
Paper Birds’ On the One Hand looks and feels a lot like a John Lewis advert.
A plane crash; tanks stopped on Tiananmen Square; a ruler standing on a palatial balcony; the interrogation of the perpetrator of a mass shooting.
Knee-high boots, a wayward German accent and a toothbrush moustache – major alarm bells for any production, but even more so for a one-man show.
The best allegories can stand on their own two feet.
The big problem with A Circus Affair is that its performers, Sarita and Mr Kiko, spend too little time doing what they are good at (circus) and far too much time filling out the sh…
It is perhaps embarrassing how long into Colin Hoult’s The Real Horror Show it took me, until I realised what I was watching.
There is much about Stephen King’s novella The Shawshank Redemption that is suited to a stage adaptation, the action taking place in the claustrophobic rooms of a prison, its nar…
‘You can tell the bits, but can never complete the picture.
Sing, muse, of three sweaty men, dressed all in white; James Dunnell-Smith, Joshua George Smith and John Woodburn are The Sleeping Trees and their Odyssey is lively, loud and ebull…
Alan Conway spent several years pretending to be Stanley Kubrick, a man he knew very little about – and people believed him.