A Traffic Jam On Sycamore Street is a Kafka-esque tale of persecution of the every-man figure by illogically logical authorities.
Touch is the new one-woman play from Asylon Theatre exploring the difficulties of genuine human connection.
Corium, the new show from Accidentally On Purpose Productions, tries to be exciting and contemporary by stylistically borrowing from Frantic Assembly but sadly doesn’t find its o…
Brand New and Pembroke Players’ joint production of Thom May’s war war brand war is wonderfully witty and compelling.
Thread Theatre’s production of Alan Ayckbourn’s The Norman Conquests is a boisterous and entertaining farce.
Beardyman has been a regular Fringe success for several years and it’s easy to see why.
One of several pieces of modern American writing brought to the Fringe by Phantom Owl Productions, Neil Labute’s 1989 play Filthy Talk for Troubled Times takes a frank look at ge…
Going to a percussion based show at the Fringe could go one of two ways: it’ll either be a case of just watching people hit things for an hour, or it’ll be a veritable fiesta f…