Mairearad Green and Anna Massie know how to put on a show – they combine warmth, wit and banter with supreme musicianship to create an enjoyable, varied, and polished set.
Sometimes circumstances conspire to flummox a band’s gigging intentions: NeWt’s trombonist’s lip was injured and swollen, such that “I can’t play some of the notes the tunes need!”…
As the son of legendary folk-rock star Roy Harper, and one-time member of New Wave pop band Squeeze, Nick has a lot to live up to.
Aberfeldian self-taught fiddler and singer-songwriter, Elsa Jean McTaggart, enters stage left, playing electric fiddle and wearing red tartan skirt, and jaunty baker boy hat.
Septuagenarian guitar folk legends John Renbourn and Wizz Jones deliver a night of folk and blues, with varying degrees of success.
Fauré’s Requiem, composed in the late 1880s, is a short piece lasting 35
minutes, performed in Latin, and created for orchestra, organ, male and female
chorus and two soloists…
Alex Yellowlees and his band take us back in time to the
swinging twenties with a collection of hot club swinging jazz tracks, played
with a lightness of touch and a lot of skill…
Sixpiece Americana-tribute band Flagstaff have created an evening of infectious, good-natured, toe-tapping fun in the environs of the Jazz Bar.
Billing their series of gigs as Playtime, some of Edinburgh’s finest Jazzers are creating very interesting and enjoyable music in the intimate space of The Outhouse’s attic.
Aiming to cover ninety years of Blues in sixty minutes is a mightily ambitious endeavour.
It was wi’ some trepidation ‘at Ah installed myself at a table, pint in hain, fur a thee hoors burns’ session.
Bella Hardy is one of those performers whose warmth and affability immediately put you at ease.
There’s something very likeable about Irish singer and songwriter Damien Dempsey, but the adulation he inspires is a little confusing.
This production by Akhmeteli State Dramatic Theatre is a lesson on how not to stage a drama in a foreign language.
Year Out Drama Company, in association with Stratford-upon-Avon College, present one of Shakespeare’s rarely performed plays.
Performance artist and Cystic Fibrosis sufferer, Martin O’Brien, explores the relationship between endurance and chronic illness in Mucus Factory, a five-hour piece commissioned …
Perhaps I’m experiencing a cappella fatigue, but the singers at this show did nothing to wow me particularly.
Dreamland Theatre makes an impressive debut with this imaginative interpretation of a traditional fairy tale.
Z Theatre Company consists of a bunch of likeable first year drama students from Hull University.
Good children’s theatre should appeal to the inner kid in every adult as well as every actual child.
There’s no denying Scottish jazz singer Carol Kidd has a sweet voice, although it takes a few songs to settle down this evening.
26 September 1999.
The Les Clochards combine high-jinx, cheeky-chappy, faux-Francais, ‘Allo ‘Allo, theatrics with a level of musical inventiveness and professionalism that can only have come from…
Edinburgh’s up and coming New Orleans Dixieland jazz band means business.
Australians Tnee Dyer and Melissa Western deliver a set list of classic jazz and blues with light-hearted, occasionally risqué between-song banter.
American violist Christine Rutledge and British award-winning pianist David Gomper offer a little afternoon serenity in the midst of the festival hubbub.
Spoken word and rap artist Charlie Dupre comes on stage to the strains of cello and violin, an accompaniment that is perhaps a little at odds with his casual hip-hop style and deli…
Patricia Selonk stars as Laura - a 40 year-old-woman, grappling with a deteriorating neurological disease - in this exciting production from Armazem Theatre Company, part of this y…
There is nothing wrong with the message of this show from the Italian company, Scarlattineteatro, but then neither is it particularly original.
Vegas Underground stood in front of a huge screen as a cartoon designed to put us in the mood for a night of Rat Pack-style music appeared behind them.
This is a tale of two love stories running parallel: one between the cats Puss and Tabs; and the other between their owners, the hero and heroine.
Vive is a six-part a cappella jazz vocal ensemble from London that creates original songs and reworks old favourites.
Three-quarters into this heavily autobiographical show, Canadian comic, singer-songwriter and actor Phil Nichol launches into a story about breaking his penis during a one-night st…
All the way from Soweto, South Africa, The Soil is a three-part SATMA award-winning a cappella group with a mission to warm the hearts of even the frostiest Edinburgh native.
Starbird is a delightful show, performed by two charismatic women, ably assisted by some very cute starchick puppets.
‘Revealing, thought provoking and at times hilarious’ reads the flyer.
As one of the bigger children’s shows at the Fringe and certainly one of the more heavily advertised, I had rather high expectations of Captain Flinn and the Pirate Dinosaurs.
If you thought you’d seen it all before, think again: Le Gateau Chocolat is here to shake up your festival.
The Wellington International Ukulele Orchestra is a charming ensemble of ten ukulele players and one double bass player.
There seems to be an alarming number of a cappella groups at this year’s Fringe, so standing out as something rather special is all the harder.
Lynn Ruth Miller is approaching eighty-years old and she’s on a mission to prove to us all that aging is amazing through a series of real-life stories and a mix of classic pop so…
Broadway Baby has been covering performing arts across the UK and beyond since 2004.
Please note ticket prices displayed on our homepage are based on best prices seen in an overnight scan. For up-to-the-minute pricing, please visit our Ticketing Site
2004-2022 © Broadway Baby. Broadway Baby and the logo is a registered trademark. All Rights Reserved.
Data provided courtesy of the Edinburgh Festivals Listings API, Brighton Fringe, Encore, Eventotron, OutSavvy and user submissions. We accept no liability for errors or omissions.