Prometheus Bound (Io’s Version) finds itself in a double bind.
The After-Dinner Joke doesn’t quite land.
Nuance is hard to find at the Fringe.
Where are the knights of yesteryear? A masterclass in barebones storytelling, Debbie Cannon’s one-woman Green Knight has us spellbound.
You’d be forgiven for raising an eyebrow at the provocative title Olives and Blowjobs at Space Triplex.
When flyered for Matthew Gouldesbrough’s new play Truth / Reconciliation, I was told I could expect “serious theatre” from the Elegy group.
How to remember the hermit of Hull? Almost Instinct, Almost True may refuse us anabsolute answer, but with moments of lyricism, connection and surprising political relevance, it as…
The Edinburgh Fringe may have a porn addiction.
The Fringe is nearing its close, but do you have space for more? Chris Bush’s bittersweet Hungry is serving up a Fringe hit.
Who is making theatre like YESYESNONO? The Manchester-based company is back with an immersive, story-telling experience.
Adaptation can do more than reproduce.