If you have any preconceived notions of what a juggling show ought to be, you should probably drop them here.
I was not too surprised to read that The Project was specially created for the Edinburgh Fringe: it has that ‘experimental’ feel.
For thirty five minutes, dancer Tony Mills does not leave the confines of his squash court, drawn in red lines on the floor.
Much of Rob Carter’s chat centres on being awkward and posh.
Exposed is one of the slickest productions I have seen.
Australian acrobatic quartet Casus start their performance as they mean to go on: with an unshowy display of brilliance.
This is the Edinburgh debut for Anglo-Spanish physical theatre company Teatro en Vilo, and they have made their arrival with panache.
Julien Cottereau wins over his audience within seconds.
New Zealand comic actors Emma Newborn and Amelia Guild have brought to the Fringe a show about life on a Kiwi farm, as told through the eyes of its resident dogs.
Poopiedoopiedoop began on a highly optimistic note.
Glenn Wool’s show opens with a rock video of moshing puppets.
Barry Castagnola has summed up all of the most depressing things about Fringe comedy with his newest character.
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