There are 36 shows at the Fringe by trans performers, according to the TransFringe hashtag on Twitter, and Edalia Day’s Too Pretty to Punch might be the only one that’s both ce…
There is something deeply human and inherently charming about imperfect dance.
Circus is inherently exciting to watch – the whole point of it is to see human bodies interact with the world in a way you didn’t think was possible.
If you’ve ever looked at a field of unbroken snow and wanted to run across it, or a blank piece of paper and wanted to color it, La Galerie is absolutely the circus show for you.
Le Coup, in the Underbelly Circus Hub’s ‘The Beauty’ tent, is perfectly programmed.
Seeing circus never gets old – there’s always something magical about watching human beings doing things you can barely imagine with their bodies.
I can guarantee that you aren’t ready for For Only An Hour, the brain- and body- and life- and love- child of dancer Phil Sanger.
What’s better than a one-woman show? A one-woman show with a trapeze hanging from the ceiling, like Chekov’s gun over the mantelpiece.
We are living through a renaissance of plays in verse, and if you need proof I can furnish few better than Fires Our Shoes Have Made by Fringe newcomers Pound of Flesh Theatre.
You’d be forgiven for thinking that the Forest in question refers to the cast – a fourteen strong group of graduates from the Moscow Art Theatre School.
A raven mother, in German, is a neglectful one.
Journalist Lauren Booth’s first solo show, Accidentally Muslim, promises a journey from ‘Soho hedonism’ to a shocking revelation in a mosque.
Our Theatre’s Paradiso is ostensibly a puppetry show about three men of different nationalities, reflecting on the last days of their lives before moving onto paradise.
At least three times over the course of Atomic 3001 I found myself contemplating whether choreographer and performer Leslie Mannès was somehow creating the techno beat that her bo…
Those familiar with the work of the National Theatre of Scotland won’t be surprised by the style or the content of First Snow / Première Neige.
Side by Side Theatre Company, serving learning disabled performers from the West Midlands, returns to Paradise in Augustines this year with their adaptation of As You Like It, the …
If you’ve ever felt stuck between two groups, both suspicious of you and neither accepting of the other, you may have the slightest indication of what Koko Brown is trying to com…
There is nothing so delightful as watching something you assume to be impossible done before your eyes.
We all remember the feeling of temptation to open the box that we’re not supposed to open as a small child.
How to Spot an Alien might seem like an obscure skillset for 21st century children, but for Jelly and Jonjo, the two protagonists of Paines Plough’s annual offering for young aud…
If you’re wandering around Edinburgh this August looking for a glimpse into year-round Scottish culture, it might be worth popping into the Scottish Storytelling Centre on the Ro…
The Paines Plough Roundabout is an incredibly versatile venue.
It’s hard to tell you to go see Huff at Summerhall’s CanadaHub, but I absolutely must.
Fever Dream Theatre’s BaseCamp promises an immersive experience in the rivalry between two world-class mountain climbers preparing for a joint ascent of a Himalayan mountain.
Make sure you arrive at Notorious Strumpet & Dangerous Girl a few minutes early; performer Jess Love is thrilled to offer you a coffee, a tea, or a biscuit in the queue.
Backup, a mix of puppetry and gestural object theatre, is a half hour of pure delight.
Circolumbia returns to the Underbelly Circus Hub, bringing its high-octane cast of singing, dancing circus artists with it.
You know you’re at a good circus when you expect your jaw to drop, only to realise it’s already on the floor.
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