Would Like to Meet - Free

Would Like to Meet highlights in its description its daily change of acts which apparently brings ‘fresh appeal’ to the show every day. So perhaps today’s particular offering is just a dud hidden amongst a string of gems, but there’s not much on display to indicate that.

The show is compered on this occasion by Phillip Wragg who seems nice enough but he doesn’t do too well at getting the crowd warmed up. He makes a couple of lazy observations about how horribly busy the Royal Mile is and how he wants everyone to get out of his way (thereby insulting most of his audience, probably) and then appears to pause for laughter, which doesn’t come.

The first act, Leo Kearse, comes onstage to a slightly awkward atmosphere and doesn’t do much to diffuse it. He’s coarse and a bit intimidating. Sarah Callaghan is more energetic but once again her material isn’t particularly groundbreaking. She’s followed by Richard Todd who is slightly more promising and at least has the crowd smiling at his surreal stories. He goes off on too many tangents, however, really losing focus. Finally Elena Kombou takes to the stage and she’s a likeable presence but she seems a bit unsure of herself. Anything interesting she has to say trails off after a while.

There’s a sense throughout this show of waiting for something better to come along and it never does. Amongst this particular collection of comedians there are one or two promising opening lines which get the audience’s hopes up, but within a minute each performer loses the crowd’s attention. The compere should at least be able to pick up the energy in the room between acts but he doesn’t deliver. Perhaps the line-up is stronger on some days than others, but it doesn’t seem worth hanging around to find out.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

The Blurb

Would Like to Meet presents an eclectic mix of up-and-coming acts from the London circuit. With a different line-up being presented every day, there is something for everyone. www.freefestival.co.uk.

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