When Blair had Bush and Bunga

The aptly named Bungabunga Productions have implored you to see this show before they get sued. From the record level of name-dropping and the outrageous stereotypes that take place, I wouldn’t be remotely surprised - but I still wouldn’t bother.

This has all the makings of a successful farce, but the pace is horrendously slowed down by the distinctly unfunny writing.

Tony and Cherie Blair are joined by a multitude of political members for a holiday in Barbados, in order for a series of contrived plot points to take place over a show that is easily half an hour too long. These plots points are scattered so widely that it is unclear what the crux of the drama is supposed to be - there are so many minor conflicts without any real climax that it became quite frustrating as more and more pointless tangents emerged. The cast produce an array of entertaining caricatures: Clive Mantle’s George Bush was fantastically thick, and Christopher Staines nailed the nervous, needy energy of Tony Blair in the early noughties. There were, however, some seriously dodgy accents - Mantle’s American twang at points was less Mr President and more Kermit the Frog - and even dodgier stereotypes throughout. Most of these were borderline offensive, as is the nature of political satire, but some overstepped the mark by far. The two housemaids, Heartbeat (Nicola Blackman) and Bijoux (Linda John-Pierre), seemed to exist purely to cluck, hiss and sass about the stage, and watching Silvio Berlusconi (Joseph Long) chase them about felt like a cross between a pantomime and a Carry On film.

This has all the makings of a successful farce, but the pace is horrendously slowed down by the distinctly unfunny writing. Why Cilla Black had to be dragged in I don’t know - whether intended as a tribute, it certainly came across in poor taste. From the extensive opening scene to the deus ex machina ending, When Blair had Bush and Bunga felt outdated, sexist and far too typecast to be funny. I wonder how much these actors were paid for this show, because it probably wasn’t enough.

Reviews by Kay Tee

theSpace on the Mile

10:31, MCR

★★★
Bedlam Theatre

Standard:Elite

★★★★
Gilded Balloon Teviot

Ray Bradshaw: Deafinitely Baby

★★★★
PBH's Free Fringe @ Bar Bados Complex

Cauliflower

★★★★
Assembly George Square

beep boop

★★★
Summerhall

All of Me

★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

We’re all going on a summer holiday… 2001. Tony and Cherie Blair are holidaying at Cliff Richard’s sumptuous pad in Barbados. Joining them is Tony’s close friend and adviser Alastair Campbell, along with Cherie’s therapist Carole Caplin and her Aussie beau Shane. Silvio Berlusconi and Michael Winner drop in for the party, George Bush is pumped to find a guy called Al Kida and the Pope’s on the phone. Don't miss the hilarious first play by Patrick Ryecart, the director of hit comedy Jus' Like That – before we get sued!

Most Popular See More

The Lion King

From £35.00

More Info

Find Tickets

The Book of Mormon

From £24.00

More Info

Find Tickets

Moulin Rouge! The Musical

From £30.00

More Info

Find Tickets

The Phantom of the Opera

From £30.00

More Info

Find Tickets

Matilda the Musical

From £24.00

More Info

Find Tickets

Frozen the Musical

From £36.00

More Info

Find Tickets