The Zoo

The Zoo is a light comic Opera by Arthur Sullivan, the composer of such hit shows as HMS Pinafore, The Pirates of Penzance and The Mikado. This is hard to believe. You can see why this one-act comic opera, which only lasted a few short runs at its premier, was the last one he wrote on his own for 15 years, instead partnering up with WS Gilbert to form the famous duo Gilbert and Sullivan.Despite the best intentions and obvious enthusiasm of the cast, the show was utterly bizarre. There seemed no obvious reason for it to be set in a zoo; the animals were hardly referred to or utilised other than for one character to hide inside a panda costume and a penguin to occasionally waddle on stage and off again for no real reason.To add to this theme of the inexplicable, the director had made the decision that all the props should be knitted. Glasses, bow ties, prescription pads, food: all knitted. Although the skill of the knitter in question was very impressive, it was just a bit distracting.A redeeming factor of the show was the excellent operatic voices of the entire cast. The harmonies were brilliantly executed and every note was hit with perfection. However, this obvious talent in itself jarred with the otherwise very amateur performance; the leading man at one point forgetting his lyrics and giving a panicked look in the direction of his prompter. What was really lacking was any truth behind the words, making it hard to feel much sorrow over the parting of the main lovers. In addition, the blocking felt unnatural - perhaps partly due to the very small stage and a relatively large cast.An exception to all this was Judith Barron, giving a very believable and fun performance as Eliza Smith, the refreshment stall girl. She did not attempt the faux-Italian operatic accent the rest of the cast put on, and the clarity that this gave her let the humour of her lyrics reach the willing audience.It was a shame that a cast of such talented singers with so much enthusiasm and energy could not pull off this show. If they could find the truth behind their words, have a bit more confidence in their performance and perhaps even have picked a better opera, they would really be able to show off their obvious talents.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

The Blurb

Before there was a 'Trial', Arthur Sullivan spent a day at 'The Zoo'. It's panda-monium in a tale of love, baked goods and suicide. This rollicking comic operetta brings an incognito Duke to Edinburgh to feed the bears.

Most Popular See More

Wicked

From £25.00

More Info

Find Tickets

SIX

From £39.00

More Info

Find Tickets

Tina - The Tina Turner Musical

From £12.00

More Info

Find Tickets

The Mousetrap

From £30.00

More Info

Find Tickets

Back to the Future - The Musical

From £24.00

More Info

Find Tickets

Mamma Mia!

From £15.00

More Info

Find Tickets