The Misanthrope

Directed by Trayan Velev, a cast of ten graduates from Kingston University dragged the timeless classic by Moliere, kicking and screaming into the twenty first century. The production could easily have been stale, but Velev’s poetic adaptation of the script, challenged the actors and demonstrated the continuing relevance of Moliere’s thought provoking work in today’s world.

The ageless tale of a wealthy play-right with radical ideals, takes the audience on an enthralling journey into the mind of The Misanthrope Alceste, and the mega-rich cronies that surround and frustrate him. From Alceste’s loyal friend John, to his unfaithful lover Jenny, the piece presents a rich variety of characters, which shock and delight in equal measure.

Despite the fact that the play took place in one room, I was swept along by the continuous flow of gripping dialogue, as the volatile Alceste tries in vain to convert John and Jenny to his extreme way of thinking without deviating from the truth. His attempts have both humorous and moving results, although he only succeeds in alienating himself.

The superb acting and intimate venue brought the characters to life, and I was captivated for the entire hour and fifty minutes. I definitely recommend The Misanthrope, to everyone (over the age of fourteen, due to frequent references to adult themes). An enjoyable evening out, and I would happily see it again.

Reviews by Ilana Hirschberg

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The Blurb

This year brings another collaborative work between Kingston University and the director Trayan Velev, brings an opportunity for many young students to present their creative and personal potential. Moliere's play, The Misanthrope, tells a story of Alceste, the aristocrat and his vision about the corruption in society. Alceste identifies hypocrisy as one of mankind's worst flaws and insists that truth and honesty, no matter how painful, are essential to true integrity. What remains is whether anyone is really listening. The Misanthrope promises an exciting and engaging exploration of Alceste’s pursuit of honesty in an artificial and repellent world. Can and should honesty be disintegrated and compromised in such a place?

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