The Lady Boys of Bangkok

As the Lady Boys left the stage in a flurry of flashing feathers I questioned whether I may have accidentally taken some kind of hallucinogen. How else does one explain two hours of queer gender bending, light bondage, adult babies and disturbingly grotesque giant horny pigs? The Lady Boys of Bangkok embrace the disturbing and subversive nature of carnival in a performance that moves through pop cultural references like an MTV show on speed. Which, I suppose, is what is expected of a production entitled Carnival Queens.

The varying degrees of womanliness on display are certainly something to marvel at, and it’s difficult to contain exclamations remarking upon the waist or cleavage of some of the girls. This alone seemed to be enough for the table of birthday-celebrating young men behind me, but I was looking for something more. I live in Brighton in the 21st Century; gender bending is nothing new. I was looking for something resembling talent, and on the whole, I didn’t find it.

The girls paraded through Lady GaGa, Britney Spears and numerous other pop numbers at high volume but parading is all it was. There was minimal dancing ability amongst the cast, and the miming to the numbers was cringe worthy. However, the songs selected are perfect if you’re ready for sing-a-long and even dance-a-long, and some of the performances are cleverly constructed.

The nineties hit Barbie Girl performed by a cast member dressed as a woman on one side, a man on the other, was amusing to watch. But huge praise should be given to one of the guest stars – a man who performed an immensely impressive pole routine This was a much-needed interlude to the barrage of pop and the show as a whole could benefit from more such calmer interjections.

A couple of uncomfortable comedy skits were included; one featuring an abusive and negligent father, another the infamous thong wearing, nipple-bearing, pig. Discomfort is part of the carnival tradition, but these scenes sat oddly with the rest of the camp and glitzy show and should perhaps be pushed further if they’re to be there at all.

Carnival Queens is a parade through sexuality, sea-sawing between camp flamboyance and disturbing subversion reminiscent of a Victorian freak show. Like one of the lesser jokes - a painful school lesson on erectile dysfunction with leaning tower of Pisa diagrams – the show for me failed to perform as well as it could. However, the dancing and cheering audience members around me seemed to get what they wanted. My advice; go with a large group, be prepared to camp it up on stage and absolutely don’t go sober.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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The Blurb

Carnival Queens' - an all new show,featuring beating drums,bewitching bodies and beautiful costumes,in the UK's number one comedy cabaret spectacle. A carnival fiesta like you have never experienced before!

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