The Factory

Using a plethora of multimedia devices and inventive dance sets, Bristol based company, Precarious, show us that all is not well with the world in this monochrome nightmare of modern day consumerism.

We find ourselves in a dusty old factory that exists in a world where demand for commodity has fast become man's identity - where the need for conformity outweighs the reality and chips away at our individuality. Here we see the power of advertisement, here the body has commercial use, here nothing is fixed - it is simply replaced.

Precarious are virtuosos of the multimedia, magicians of light and sound. Images are created in mid-air, scenes float on plastic bags and bodies hang on meat hooks. Anything to hand is a canvas for the projector; haze, plastic bags, human bodies. Their physical style and ingenuity is on par with their technical. A dance involving a large table highlighted the company's diversity – able to fuse physical theatre, dance and a touch of acrobatics. When the two meet, accompanied by oppressive music and lighting, there are moments of sharp, dark and dizzying theatre.

The major issues with the production arise with the message. The pervading sentiment has been flogged in a fair few formats already. While the company are adept dancers, this tired rant is not fully held together by the acting and parts felt heavy handed. The result was little empathy with characters and a general audience isolation – the message adopts a somewhat smug and patronising tone. The subtext may have just been shouted at us as we left: Look at you! You're a cog in a machine! A cog in an orwellian-dystopia-neo-facist-machine for that matter. How does that make you feel? Stop buying iPhones from Tesco you slave to the man!'' Further more, it's rather a moot point. Most who venture to an arts festival are likely to be middle-class lefties who probably don't need to be told that mega-corporate conglomerates are doing the bad thing. The company is clearly in possession of visionary talent that could achieve something staggering. I eagerly await a production that deals with something a little more pertinent or a little more magical. So while not something to change the mind it is something to truly dazzle it for a while.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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The Blurb

Zoo Southside. 1st - 25th August. 20:30 (1h5)

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