The Company of Wolves

As a huge Angela Carter fan, I had high hopes for Big Shoes Theatre Company’s production of The Company of Wolves. I am pleased to report that not only did it meet my expectations but surpassed them in so many ways. A feminist re-imagining of the classic fairytale Little Red Riding Hood, The Company of Wolves casts Red as a knife-wielding firecracker who is seduced by a suave werewolf in human form. The production makes full use of Carter’s lyrical prose, embedding passages from the original text within the piece to great effect.

The cast are all excellent, performing with a maturity and depth of understanding that belies their young age. Amy Kennedy as the lead wolf gives a particularly strong performance, her werewolf has just enough swagger and dangerous charm for the audience to believe Red’s decision to follow him into the woods. The whole company remain on stage for the duration of the performance, never breaking character and responding appropriately as the plot develops, sharing knowing leers as Red hurries through the wood and creating sound effects that add to the overall feeling of unease the play projects.

The use of live music, movement and dance complements the production; trees come to life as Red chases her wolf through the forest and the transformations of the werewolves from human to beast are appropriately animalistic and physical. The staging is also well thought out, especially the use of ladders helping to create the notion of being watched from all angles, although there’s slightly too much emphasis on floor-work. While this is understandable (they are wolves after all), not being able to see what was going on in some scenes did affect my enjoyment of the performance. The final scene in which Red and the wolf reach an uneasy acceptance of one another sounded lovely from the dialogue but from three rows back I couldn’t see any of it.

The Company of Wolves is a classy, polished production, with a cast that show great promise and potential. Beautiful, lyrical and haunting, you won’t think of Little Red Riding Hood in the same way again.

Reviews by Jules Sanderson

Richmond Theatre

Footloose the Musical

★★★
Liverpool Institute for Performing Arts

Urine Town

★★★★
Southbank Centre

A Thread

★★★
Peacock Theatre

Rasta Thomas' Romeo and Juliet

★★
The Players Theatre

Ushers: The Front Of House Musical

★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

The Blurb

Now is the season of the wolf. Red Riding Hood is not afraid of anything, but in the trackless forest amongst the wild beasts, she may learn that the worst wolves are hairy on the inside.

Most Popular See More

The Phantom of the Opera

From £30.00

More Info

Find Tickets

Tina - The Tina Turner Musical

From £12.00

More Info

Find Tickets

The Play That Goes Wrong

From £27.00

More Info

Find Tickets

Mamma Mia!

From £15.00

More Info

Find Tickets

Back to the Future - The Musical

From £24.00

More Info

Find Tickets

The Lion King

From £35.00

More Info

Find Tickets