A co-production with Vertical Line and Greenwich theatre, Take Two Every Four Hours is a work in progress by Henry Regan and Ross Stanley.

Set in a hospital room, it makes good use of the staging, providing an intimate environment for the audience to share the story. A young man lies asleep in bed until the return of his sick roommate who disturbs the peace with an exuberance that belies his illness. The two lads have become friends in a world where their families cannot cope with their condition. The talk between the men shows a friendship evolved from a common denominator and we see a gentle ribbing and rivalry of the two as if they were in normal health. The characters are affable and supportive of each other. Whilst it seems that the outspoken James is a man of the world, we learn that in fact he has experienced little of life’s pleasures and about his fears in facing life outside of the hospital, without his friend by his side.

The actors perhaps had some nerves, but they should trust in their performance to really do justice to the dialogue. Whilst capable in their roles it felt lacking in truth and emotion at times making it hard to believe the stories being told. It is always difficult to maintain a level of energy whilst having to lie down and at times, it drops the pace and rhythm of the play.

The script has some strong one-liners, as well as some interesting observations and captivates well enough. It is well written for the most part, but could do with some tweaks here and there to make more sense of the illnesses the young lads are suffering from. It is not evident what these illnesses are and perhaps this needs addressing as it is unclear what each character is in the hospital for and indeed why or how they are in the same room together. A greater depth of emotion would help support the arc of James’ character towards a more punctuated and stronger ending.

Worth seeing for it’s writing and the emerging talent of the actors, a few tweaks will give this play what it needs to get a full bill of health.

Reviews by Greg Smith

The Brockley Jack Studio Theatre

Loaded

★★★★★
King's Arms Barn

Women of an Uncertain Age

★★★★★
Lovibonds Brewery Ltd / The Town Hall

Miss Givings – a play with music

★★★★
Hotel du Vin & Bistro Henley-on-Thames / Upstairs & Downstairs

Improv Noir

★★★
Hotel du Vin & Bistro Henley-on-Thames

The Rudy Vees

★★★★
King's Arms Barn / Lovibonds Brewery Ltd

An Extraordinary Light

★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

The Blurb

Two young friends are bed bound in a private hospital ward. James, terminally ill with leukaemia, knows he will never leave his bed. He also knows that his best placebo is Freddy, who has undergone intensive heart surgery. They don’t lead normal lives but that doesn’t mean they aren’t normal. On a seemingly quiet hospital afternoon events are set to unfold that will change their lives forever…

By turns heart warming and heart wrenching, this acclaimed play about youth, friendship and bed baths comes to the Henley Fringe before an eagerly anticipated return to the Edinburgh Festival.

Most Popular See More

The Phantom of the Opera

From £30.00

More Info

Find Tickets

The Mousetrap

From £30.00

More Info

Find Tickets

The Play That Goes Wrong

From £27.00

More Info

Find Tickets

Matilda the Musical

From £24.00

More Info

Find Tickets

Back to the Future - The Musical

From £24.00

More Info

Find Tickets

The Lion King

From £35.00

More Info

Find Tickets