Piaf: Love Conquers All

This character-driven play from Moving On Theatre had something for everyone. From romance to hatred, happiness to tragedy, there was no emotion left unturned in this provocative production detailing Edith Piaf’s life both on and off the stage. The dulcet tones and sultry swishes of Laurene Hope immediately transported the audience to another world of a time previous.

The excessive personality that was so indicative of Piaf was translated in the perpetually passionate delivery of Piaf: Love Conquers All.

What was initially striking was the simplicity of the set; this stood in wonderful contrast to the complex life the French songstress led. The difference between the two also appropriately foreshadowed the extremes of emotion that were to be purveyed throughout the performance. The first scene detailing her falling pregnant at fifteen with Petit Louis, the joy that came with the child they produced was very quickly replaced with the tragedy of Piaf’s inability to care for the child and its eventual death from meningitis not long after. In spite of her child’s death what continued to survive was Piaf’s zest for life and song.

The excessive personality that was so indicative of Piaf was translated in the perpetually passionate delivery of Piaf: Love Conquers All. As a result of this, the production could simply not have been performed without mention of the many men in her life. Humorously highlighting her numerous lovers, the audience were most spell-bound by the one she shared with Marcel Cerdan. But, in yet another extreme shift in tone within the show, her joy soon disintegrates into drug-fuelled despair when he died in a plane crash.

How Piaf’s life was depicted by Hope relied on the dichotomisation of her unceasingly tumultuous private life compared with her highly successful public one. That both aspects were covered was a clever move on the theatre company’s part as a result of it mirroring the mélange of confidence and vulnerability that made Piaf the adored individual that she was and continues to be. Always wearing her heart on her sleeve, this inability to hide her emotion was shown in the intimacy Hope shared with each and every member of the audience.

Though tragedy was never far in the French star’s life, her final ray of sunshine came with her having the last laugh in leaving behind the pimps, pushers and blackmailers that had formerly plagued her existence. 

Reviews by Oliver Lugg

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Performances

Location

The Blurb

Follow Piaf's life from the age of 15. Witness her addictions to drugs and men, and her insatiable passion to love and sing. Sell-out show at Brighton and Edinburgh Fringes. "Laurene Hope is the spirit of Piaf without needing to imitate"; "The best show in Edinburgh"; "The accordion is a delight". www.movingontheatre.co.uk