Pause

Set in a café, two couples interact over menus, in this production, at a table identical to those sat around by the audience. They struggle not just to order food, but also, more importantly, to determine the future path for their relationships.

The writing is precise, with acutely observed conversations very realistically penned.

The writing is precise, with acutely observed conversations very realistically penned. There is a real sense, aided by the staging in this venue, that you could indeed sit in a café, while these conversations unravelled at the next table. However, it is debatable whether they are conversations which one would necessarily strain to overhear.

Witnessing only a snapshot of the relationships, as we might in real life, is an interesting device, but makes it a little difficult to interpret what the characters hope to achieve through their interactions, as we lack a broader image of their relationships to contextualise these exchanges. Heightening the stakes for the characters involved might have lifted the pace, while maintaining the brilliantly naturalistic dialogue.

Although the cast give consistent performances, and inhabit their largely well developed characters with conviction, it is challenging to imagine how these characters were ever happy together. Although the second pairing offers brief hints at a prior relationship, through their little games, it is still hard to comprehend how this strong woman, who appears infuriated by the man’s very personality, could have been with him. This might have been rectified if we could have seen even a glimmer of endearment towards her other half during his embarrassing antics.

Detectable traces of a shared connection, or happy memories remain, even in the rockiest of relationships, and yet these were lacking, which undermined the relationships and prevented the production from fully engaging the audience.

The first couple certainly succeeded in creating an awkward atmosphere, but unfortunately their interaction never moved beyond this. An interesting past was alluded to, but frustratingly never explored. While the narrative had clearly been developed outwith the onstage action, the play would have benefited from some of the darker threads of the history of these relationships being discussed by the characters.

Some interesting themes are touched upon, but ultimately are left unexplored, leaving behind the shallow snapshot of two relationships, without exposing the gritty truths which fuel the tensions within the couples.

Reviews by Jocelyn Cox

Pause

★★★

Rewritten

★★★

Warde Street

★★★★★

Road

★★★

Exiles

★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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The Blurb

Your mum thinks you're still in there. Are you. In there?' Two years ago Chris fell off a wall, he's been in a vegetative state ever since. A mother at a bedside. A best friend who won't visit. Three lives on hold. Love, secrets, memories and fears - This piece of New Writing tenderly asks: what is the limit of hope and how do we move on?

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