Once Upon A...

If you’ve been scouring the festival fringe for sheer, unadulterated fun, then make sure you catch the fantastic Once Upon A... The brainchild of Pipe Up, and New Celts Productions is a camp, bombastic and giddily entertaining forty five minutes of interactive storytelling featuring fairies, trolls and a gargantuan beach ball.

Taking place on Imagination Street, this show thrives on participation, how each stage of this auspicious adventure progresses is aided by bellowed suggestions from the audience sitting not on chairs, but clouds. Children lapped up the opportunity to incorporate flying tigers and magical cheese and tomato sandwiches into the narrative almost as much as the cast enjoyed performing with them.

All five actors were on top form; warming up the crowd with ease. Their quiksilver improvisation was impressive despite younger members of the audience who were prone to shouting over lines and providing the villainous troll with useful information when they were supposed to be booing and hissing. The troll was played with aplomb by an actor so hysterical you end up rooting for him instead.

Other humorous highlights included the signature keyboard music, seamlessly accentuating every gag, and a sublimely silly slow motion skit, set to the chariots of fire theme. This is a show that revels in its own lack of sophistication, and outside of the occasional cringe worthy song, is all the better for it. Ultimately Once Upon A... is lightweight fluff, it won’t stay with you beyond the exit like the best children’s fiction, but while you’re there, it’s absolute magic.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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The Blurb

Enter a world where books come to life at the turn of every page. Once Upon A... is an interactive, storytelling children’s show which gives its audience the opportunity to get involved.

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