Some of the most impressive shows to be found at the Fringe are by lone performers, and Kneehigh's Tristan Sturrock treads this vein. Through a real life account steeped with ironies, we learn that on 1st May 2004 in the quaint village of Padstow, Cornwall, after the celebrations of a festival that marks new life and beginnings, Sturrock became paralysed in a near fatal accident.

The show works best in its simplest form, but there are some rather amusing moments that take a deliberately heightened style like the operatic operating theatre; all movements well timed to the belting music.

Sturrock is sexy. His charm moulds the story into a relatable scenario with an honest and familiar presence, and he forms a kinship with his audience. However, watching Sturrock perform, there is much more respect for him than the oddly familiar sensation of fancying your best friend’s dad. His story contains an infectious gratitude for life, celebrating each step and forging appreciation for the things we so often take for granted. This doesn't feel like just one man's story; it is relevant, and a has refreshing appreciation for the NHS. This show is a great contrast to the sometimes tense Fringe experience. If you've just battled your way off the Mile, this show puts your worries into perspective.

Reviews by Mary Chapman

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Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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The Blurb

Mayday Mayday. On May 1st 2004, Kneehigh's Tristan Sturrock broke his neck. Paralysed in hospital, he was told he may never walk again. He tells his story in this ‘poignant’ **** (ExeuntMagazine.com) ‘life-affirming show’ **** (Bristol Evening Post).

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